Lincoln Center “Great Performers” 2012-2013 season announced

New York’s Lincoln Center has announced the line-up for their “Great Performers” series in the coming 2012-2013 season.  Their press release (available HERE) leads by mentioning a visit by Gustavo Dudamel and the Los Angeles Philharmonic, specifically highlighting the New York premiere of John Adams’ oratorio The Gospel According to the Other Mary in a staged performance, before referring to any other artists in the season.

The press release goes on to mention that the staged version of the work will receive its world premiere in Los Angeles during the coming season, a tidbit not yet released by the local team.  Peter Sellars will direct. More details include:

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Visiting the speakeasies of New York: Death and Company

The name might scare you, but don’t let it.  There is nothing frightening here, especially if you want a grown-up place to get a good drink and hang out.

Strictly speaking, Death and Company is not a speakeasy since it isn’t hidden from view, it’s location is public, and it even has a guy out front manning the door even on a weeknight.  It also has some magnificent drinks, a vibe that feels contemporary without being hipster, and a staff that is refreshingly cordial and friendly.  I like to think of it as Milk & Honey without the mystery or, alternately, Milk & Honey gone to grad school.

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Visiting the speakeasies of New York: Please Don’t Tell (PDT)

The legendary entrance to PDT. . . . Seriously, it is.

At first blush, Please Don’t Tell (or “PDT” as it is often called) takes the nouveau speakeasy concept of Milk & Honey — nondescript entrance leading to bar with limited seating manned by a mixologist — up a notch or two.  Despite those similarities, a visit to the two venues feels completely different:  where Milk & Honey is a hideaway where the focus is on the beverages, PDT seems like more of a gimmick destination that luckily happens to have some very good drinks.

The most famous thing (dare I say, the best thing) PDT has going for it is its kitschy entrance:

  1. You first have to go into Crif Dogs hot dogs, easily identifiable by the large hot dog shaped sign hanging over the sidewalk with “Eat Me” scrawled across it in faux mustard.
  2. Once inside, you will find an unmarked phone booth (BTW:  have any twentysomethings ever used a real working phone booth before in their lives?).
  3. Once inside said phone booth, you pick up the phone, follow the instructions in front of you, and voila! — the “wall” of the phone booth opens to reveal a person who asks if you have a reservation.

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Thoughts on Haitink, the New York Philharmonic, and Avery Fisher Hall

As previously mentioned, I made a “game day decision” last Saturday night to see Bernard Haitink conduct the New York Philharmonic at Avery Fisher Hall.  Note that I listed Mr. Haitink’s name first, then the orchestra, then the hall:  chalk up the opportunity to see the legendary Dutch conductor in person for the first time as being the primary draw for me.  He could have been conducting John Cage’s 4’33″ and I probably still would have paid money for it; lucky for me,  the not-quite-warhorse “Pastoral” Symphony of Beethoven was on the bill, paired with Strauss’s Don Quixote.  Overall, it may not have been the most exciting or groundbreaking concert, but it was enjoyable nonetheless.

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Visiting the speakeasies of New York: Milk & Honey

Penicillin. Will cure any ailment. Maybe.

For me, Milk & Honey is kinda like the music you listened to in high school:  regardless of how much your everyday tastes may have changed or your repertoire has diversified, you’ll always have a soft spot for it and return to it often.

It may be tough to say who reignited the speakeasy and mixology movements, but a case could probably be made for Sasha Petraske, Sam Ross, and the other folks associated with this SoHo watering hole.  What began as a small, unassuming neighborhood place on an unlikely street near Chinatown is now a legend.  Some things have changed over the years, but its primary appeal remains constant:  it is a great spot for you and a few friends to enjoy truly amazing drink concoctions while actually being able to carry on a conversation without having to shout.

If you only go to one New York speakeasy in your whole lifetime, make it this one.

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Visiting the speakeasies of New York: A prologue

For about ten years, I used to travel to New York regularly for business — as often as once every other month. Work took up most of my time, but I usually had opportunities to take in the local scene, both high-brow (Lincoln Center, Carnegie Hall, 92nd Street Y, Broadway, among others) and low-brow (Broadway, Meat Packing district, insert various lounge/club/dive here). Then the economy started to slump, priorities changed at The Day Job, and before I realized it, it had been two years since I had visited Manhattan. Even though I am decidedly NOT a NY apologist, I actually found myself missing my visits there.

My recent and upcoming trips to the city have given me cause to revisit old haunts and find some new ones, especially since some of the folks accompanying me have only done touristy New York. As the work schedule unfortunately conflicts with any hope I may have of seeing a concert, opera, or other such thing, I decided to concentrate my off-duty time (and that of my associates tagging along) on exploring the burgeoning speakeasy scene in Manhattan.

This is not exactly a new trend, and New York certainly does not have a monopoly on the concept. I remember the first visit I took many years ago to an unmarked grey box on Melrose that went by the name Smalls K.O. where you had an equal chance to be drinking next to Pasadena preppies, local bikers, and/or Anthony Kiedis and Flea; Smalls would morph into Kane, and eventually became the legendary Forty Deuce, itself an homage to the raunchier past of 42nd Street in NY. In the 90′s, countless Trents, Mikes, and other hipsters would head to the corner of Vine and Santa Monica and search for the “Bargain Clown Mart” sign, the marker for the nondescript building below it which housed Three of Clubs (or “Three Clubs” as it is now called).

All that said, there are two important differences between such local places and the New York spots that I began to frequent in the new millennium:

  1. The rise of “mixology” and the return to hand-crafted fancy drinks using fresh ingredients, non-generic alchohol, and a little imagination. These were cocktails that a guy could drink without fear of sullying his coolness; there wasn’t a single pink umbrella in sight.
  2. Some of the locations were actually real-life speakeasies back in the days when the 18th Amendment and Volstead Act were the laws of the land. And even if they weren’t, there was some inherent New York grittiness (the dank smell on the sidewalk and piles of trash in front of the unmarked door) that added to the authentic feel.

Of course, being able to walk — er, um, stumble — from place to place, or take a $10 cab ride if needed, makes the idea of going to a strange location to try out multiple stiff drinks a bit more tolerable than, say, having to convince one of your friends to be a designated driver as you jaunt from Downtown to Hollywood to the Westside exploring the L.A. scene.

So that’s what I’ve been doing lately in my spare time away from home. It’s been an interesting exploration so far. Details are forthcoming.

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Photo credits:

  • “Speakeasy:”  University of Southern California
  • Bargain Clown Mart sign:  Three Clubs
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