Five concerts, four conductors at different stages of their relationship w/ the LA Phil (part 2 of 4): Lionel Bringuier and the latest Green Umbrella new music concert

Lionel BringuierThe first time I learned about Lionel Bringuier was in November 2006.  The late great Alan Rich wrote about how the powers-that-be at the Los Angeles Philharmonic at the time — among them, Esa-Pekka Salonen, Deborah Borda, orchestra musicians, and board members — were blown away by Mr. Bringuier and named him Assistant Conductor at the tender age of 20.

In the ensuing years, Mr. Bringuier has not stopped impressing people wherever he has gone.  Locally, he has been promoted twice, first to Associate Conductor, then in 2011, to the newly created position of Resident Conductor.  Further afield, he’s made repeated waves with notable guest gigs on both sides of the Atlantic before making his biggest splash yet a couple of months ago by being named the new Music Director Designate of the Zurich Tonhalle Orchestra.

His international profile and experience may be growing, but Los Angeles has probably had the best chance to watch him grow and develop vs. anywhere else in the world.  We’ve seen him conduct a broad range of repertoire under a variety of conditions:  subscription programs at Walt Disney Concert Hall; Toyota Symphonies for Youth educational concerts; Hollywood Bowl gigs with all of their quirks; and as a last-minute replacement — most memorably in 2010 when he took over conducting the Tchaikovsky Sixth Symphony after Gustavo Dudamel injured his neck mid-concert.  Under all circumstances, he has been unflappable, with interpretations that are interesting and enjoyable.

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“There were shepherds abiding in the field:” Sylvia McNair vs. Linus

I’ve enjoyed many performances of “Messiah” in person, on CD, and on video, and have also sung bass in my fair share of student, community, and semi-professional performances of Handel’s most famous oratorio.  One of my personal favorites has always been a concert by Robert Shaw and the Atlanta Symphony, with Sylvia McNair as the radiant soprano soloist.

The late 1980′s performance was broadcast on PBS and subsequently released on VHS; unfortunately, it was never re-released on DVD, and the concert is now out of print.    The closest you can get these days is a CD set of “Messiah” that Mr. Shaw conducted with a slightly different cast of soloists; it is quite good, but the soprano solos are split between Ms. MsNair and Kaaren Erickson, and therefore less satisfying.  Ms. McNair collaborated with Sir Neville Marriner on another recording of “Messiah” (still available  on DVD) which features some excellent choral work, but is also kinda quirky:  mezzo-soprano solos split with a counter-tenor; the famous soprano air, “Rejoice, greatly” sung in 12/8 instead of the much more typical  4/4 (as I prefer it).

Speaking of “Rejoice, greatly” . . . a clip of Ms. McNair singing it from that Shaw/ASO video used to be available on YouTube, but alas, has been taken down.  That’s a shame because it is by far my favorite version.  Ms. McNair absolutely attacks the coloratura runs with grace and precision, and her tone is impressively pure in the slower middle part, especially in the first line, “He is the righteous savior.”  It is simultaneously period appropriate yet thoroughly modern.  A very similar performance is on CD, but I like the video version better.

So instead, enjoy this video of the Pifa (abridged version), soprano recitatives and airs beginning with “There were shepherds abiding in the field,” through the choral “Glory to God in the highest.”  Not surprisingly, the Atlanta Symphony Chorus sounds great.  Moreover, it is another steller turn by Ms. McNair, perhaps second only to the incomparable recitation by Linus (circa 1965).

One last thing:  In the video from the Atlanta Symphony performance, the Pifa opens with a shot of the first stand of violins.  In case you don’t recognize them, the concertmaster is Bill Preucil, currently Concertmaster of the Cleveland Orchestra.  Sitting next to him is Martin Chalifour, currently Principal Concertmaster of the Los Angeles Philharmonic.

Two women and an orchestra: Emmanuelle Haïm and Sonya Yoncheva debut with the LA Phil in an all-Händel program

The beguiling soprano, Sonya Yoncheva, in one of the few poses she didn't make at WDCH

On paper, Sunday afternoon’s concerts belonged to conductor Emmanuelle Haïm.  The reality was that and much more.  Ms. Haïm dominated the concert.  Many musicians had solo turns of one sort or another, and two — oboist Ariana Ghez and recorder player (or is it recordist?) Rotem Gilbert — even played front and center.  Yet when it was all said and done, soprano Sonya Yoncheva stole the show.

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The world we live in, and life in general: LA Phil and Dudamel do Kurtág, Mozart (with Richard Goode), and Strauss

I almost always go to classical music concerts because I feel I must see/hear something on the program:  a certain composer or his work, a soloist, maybe even a conductor.  Other times it’s because I’m curious about a world premiere of a new work or a performer I’ve never heard before.  This past Sunday at Walt Disney Concert Hall was the rare exception:  a perfectly fine program about which there wasn’t really anything I craved or was curious, a concert I probably wouldn’t have attended had it not been included in my subscription, with the “life and death” overtones of the programming not necessarily adding to the appeal.  No matter.  The philosophically tinged program turned out to be quite enjoyable, and in the end I’m glad I went.

The main thing keeping me from switching out:  Richard Goode.  He has been a fairly regular visitor to the Music Center over the years, both in recital and with the Los Angeles Philharmonic, but I realized that the last time I saw him play was in the Dorothy Chandler Pavillion.  Clearly, I was way overdue.  It’s a special treat to hear him play Mozart, in this case the introspective and occasionally brooding Piano Concerto No. 20 in d minor.

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One of these things is not like the other

#1)  LA Phil Principal Concertmaster or British actor who used to be in Monty Python?

#2)  Muppet or Foo Fighter?

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