Despite Midori’s heroics, Heras-Casado disappointing in LA Phil concert of music by Kodaly, Eötvös, and Bartok

Heras-Casado and EotvosRecently, whenever there has been an opening for a music directorship at an orchestra, Pablo Heras-Casado usually gets included in the list of candidates to be considered. The 30-something Spanish maestro has many admirers and proponents, and he gets his fair share of positive press.  The New York Philharmonic just announced that he’ll be making his debut with that esteemed orchestra in the coming 2013/14 season.

Frankly, I don’t really understand what the fuss is all about.

This past Sunday marked the third time I’ve seen him conduct the Los Angeles Philharmonic over the past few years. Taken together, those concerts have had him conducting a fairly broad swath of the repertoire:  Mendelssohn, Mahler, Stravinsky, Debussy, Takemitsu, and now, Kodaly, Eötvös, and Bartok.  My collective take away is that he is a competent conductor, but with thoroughly middle-of-the-road interpretations at best.  Mind you, that isn’t a bad thing in and of itself; however, I’d hope that if a conductor were to go down that route, he (or she) would be able to get this orchestra to sound as good as it can — and I’ve never experienced that when Mr. Heras-Casado is on the podium at Walt Disney Concert Hall.

Take Bartok’s Concerto for Orchestra.  This is whiz-bang sort of work that, by design, should easily make an orchestra shine.  The LA Phil certainly performs the piece fairly often in addition to having recorded it under three of its Music Directors (four, if you count the DVD release of the video from the 1970′s with Zubin Mehta conducting).   Whenever they perform it, I expect either a nuanced performance or a rousing one — if/when we were lucky, perhaps both.

Sadly, Mr. Heras-Casado’s version this past Sunday offered neither.

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Jacaranda offers a stimulating evening of music by Eötvös and Ligeti

Peter-Eotvos_MusikFabrik-c-Kai-Bienert_12A few years ago, I was  at Walt Disney Concert Hall to see James Conlon conduct the Los Angeles Philharmonic in a concert of works by Prokofiev.  Sitting right in front of me were two gentleman, one older and the other younger, speaking a European language I did not recognize.  Whatever they were saying, they were deeply engaged in what seemed to be music-related conversation before and after each work and during intermission, even occasionally whispering and gesturing towards the stage as the music played.  The older gentleman was particularly fond of Principal Oboe Ariana Ghez’s playing, applauding extra vigorously when she took her solo bow.

The younger gentleman turned out to be Gregory Vajda, Resident Conductor of the Oregon Symphony, in town to replace an indisposed Lionel Bringuier to conduct one of the orchestra’s Green Umbrella programs which featured the work of prominent Hungarian composer Péter Eötvös.  The older gentleman turned out to be the composer himself.

Before the end of the concert, I introduced myself to Mr. Vajda.  In turn, he introduced me to Mr. Eötvös. Though the composer didn’t say anything in English to me, he smiled and shook my hand.  I wished them both well in their upcoming gig . . . and missed their concert two nights later despite the best of intentions.  I was always bummed out that I didn’t get a chance to hear any of the famous composer’s music despite having met him in person.

Fortunately, I had the chance to finally make up for it last Saturday when Mr. Eötvös returned to Southern California to participate in the latest program by “Jacaranda, music at the edge” featuring two of his works, including  the U.S. Premiere of Schiller:  energische Schönheit written in 2010 and co-commissioned by Jacaranda.  Also on the program were three works by his compatriot, György Ligeti.

I was far from the only one drawn to this concert. Santa Monica’s First Presbyterian Church was packed, with extra seats shoved wherever the room could be found.  Attendance was so high that they ran out of programs.  It was an enthusiastic crowd, and all were treated to some excellent performances of stimulating music.

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