LA Opera announces 2013/2014 season

Billy Budd at LA Opera (2000 production)
Los Angeles Opera announced their 2013/2014 season today.  As far as I’m concerned, the most noteworthy things:

  • Not a big increase in number of productions and performances versus the 2012/2013 season, but the mix is a bit more diverse — including three performances of Glass’s Einstein on the Beach.
  • Tenor Brandon Jovanovich returns to L.A. this fall as Don Jose in Carmen
  • Nino Machaidze appears twice (Carmen and Thaïs)
  • Plácido Domingo won’t be singing until late in the season (May-June 2014) when he takes on another baritone role, Athanaël in Thaïs; he’ll be seen at the beginning of the season conducting four performances of Carmen
  • Grant Gershon conducts the three remaining performances of Carmen
  • Music Director James Conlon will be conducting the vast majority of the performances throughout the season (thank goodness).
  • The only conductor appearing this season who does not hold some kind of title with the company will be Massenet specialist Patrick Fournillier in, appropriately enough, Massenet’s Thaïs
  • The company will celebrate the Britten centenary with a production of Billy Budd featuring Liam Bonner (last seen around here in Albert Herring in Spring of 2012) in the title role and will play a major role in “Britten 100/LA: A Centenary Celebration,” a county-wide celebration.
  • No Wagner opera this year.  The only opera to be sung in German will be The Magic Flute in the company’s well-known production by Sir Peter Hall and Gerald Scarfe.  The cast includes Janai Brugger (recently seen locally as Musetta in La Bohème) and, making her company debut, Erika Miklósa as Queen of the Night (click HERE to see a video of her singing the Queen of the Night’s big aria)
  • The company will make two visits to Orange County for one concert performance each of Falstaff and Thaïs
  • Mr. Conlon will conduct two performances of the world premiere of Alexander Prior’s Jonah and the Whale,  inspired by Britten’s Noye’s Fludde
  • Dmitri Hvorostovsky appears in recital and Audra McDonald performs a one-night concert

The short version of the schedule (all performances at the Dorothy Chandler Pavilion unless otherwise noted):

  • Carmen (Bizet):  Seven performances, Sep. 21 ̵ Oct. 6, 2013
  • Einstein on the Beach (Glass):  Three performances, October 11, 12 and 13, 2013
  • Audra McDonald in Concert:  October 26, 2013
  • Falstaff (Verdi):  Six performances, Nov. 9 ̵ Dec. 1, 2013; ; additionally, there will be one concert performance in Segerstrom Concert Hall in Costa Mesa on Nov 26, 2013
  • Billy Budd (Britten):  Six performances, Feb. 22 – March 16, 2014
  • Lucia di Lammermoor (Donizetti):  Six performances, March 15 – April 6, 2014
  • Jonah and the Whale (Alexander Prior):  Two performances at the Cathedral of Our Lady of the Angels, March 21-22, 2014 (World Premiere)
  • Thaïs (Massenet):  Six performances, May 17 – June 7, 2014; additionally, there will be one concert performance in Segerstrom Concert Hall in Costa Mesa on May 22, 2014
  • Dmitri Hvorostovsky in Recital:  May 22, 2014

Complete details taken from the official Los Angeles Opera press release are below:

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Angela Meade brings added punch to LA Opera’s cast of Don Giovanni for final two shows

Los Angeles Opera made some cast changes for the last two performances of Don Giovanni, the most noteworthy being the addition of Angela Meade as Donna Anna (Julianna Di Giacomo played the role for the first five performances).  The winner of the 2011 Richard Tucker Award and the Met’s 2012 Beverly Sills Artist Award, Ms. Meade brought her talents fully to bear at the Dorothy Chandler Pavilion Wednesday night.

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Tweeting live from backstage at tonight’s LA Opera season opener of “The Two Foscari” starring Plácido Domingo

Tonight marks the opening of Los Angeles Opera’s 2012/2013 season with a new production of Verdi’s rarely performed I Due Foscari (The Two Foscari).  Plácido Domingo takes on the role of Francesco Foscari, his latest foray into the baritone repertoire and 140th role overall (give or take) in his illustrious career.

I’ll be there tonight, but watching from a different perspective than I’m used to having — backstage.  I’ve been invited to live tweet the performance along with a few other folks sitting alongside the KUSC broadcast desk.  You can follow along via hashtag #LAOFoscari on Twitter.   Curtain is at 7:30pm Pacific Time, but coverage by the Twitterati will likely begin way before that.

Hoping to be able to watch a performance from the other side of the curtain; if/when that happens, I’ll write up a proper review.  Until then, sit back and watch tonight’s opera unfold 140 characters at a time.

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Photo credit:  courtesy of Los Angeles Opera

“The Doge of Los Angeles:” Plácido Domingo is feted at LA Opera presser

Wednesday’s Los Angeles Opera press conference centered around celebrating Plácido Domingo.  Board members and politicians were on hand to offer their praises, stories, and tokens of appreciation to the organization’s General Director and probably the world’s most famous living opera singer.  The reason for this latest round of adulation?  Three things:

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Warming up the thumbs: LA Opera Tweet Seat, here I come

In about two-and-a-half hours, I’ll be sitting in the Loge section of the Dorothy Chandler Pavilion watching the final Los Angeles Opera dress rehearsal of Simon Boccanegra, sharing my thoughts in real time with the world, 140 characters at a time.

  • The easiest way to follow along is to go to my twitter page:  https://twitter.com/#!/MrCKDH .  If you want to see the comments from all of the “tweet seaters,” the hashtag is #LAOBoccanegra.
  • If you’re interested in following the action without going to Twitter, I’ve included a “tweet feed” on the top right of this blog.  It doesn’t refresh on its own, so you’ll have to refresh the webpage from time to time.
If you have any questions or clarifications about the goings-on, please feel free to send them to me and I’ll answer as quickly as I can.  Pictures are allowed, video isn’t.

 

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