Five concerts, four conductors at different stages of their relationship w/ the LA Phil (part 2 of 4): Lionel Bringuier and the latest Green Umbrella new music concert

Lionel BringuierThe first time I learned about Lionel Bringuier was in November 2006.  The late great Alan Rich wrote about how the powers-that-be at the Los Angeles Philharmonic at the time — among them, Esa-Pekka Salonen, Deborah Borda, orchestra musicians, and board members — were blown away by Mr. Bringuier and named him Assistant Conductor at the tender age of 20.

In the ensuing years, Mr. Bringuier has not stopped impressing people wherever he has gone.  Locally, he has been promoted twice, first to Associate Conductor, then in 2011, to the newly created position of Resident Conductor.  Further afield, he’s made repeated waves with notable guest gigs on both sides of the Atlantic before making his biggest splash yet a couple of months ago by being named the new Music Director Designate of the Zurich Tonhalle Orchestra.

His international profile and experience may be growing, but Los Angeles has probably had the best chance to watch him grow and develop vs. anywhere else in the world.  We’ve seen him conduct a broad range of repertoire under a variety of conditions:  subscription programs at Walt Disney Concert Hall; Toyota Symphonies for Youth educational concerts; Hollywood Bowl gigs with all of their quirks; and as a last-minute replacement — most memorably in 2010 when he took over conducting the Tchaikovsky Sixth Symphony after Gustavo Dudamel injured his neck mid-concert.  Under all circumstances, he has been unflappable, with interpretations that are interesting and enjoyable.

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Make mine a double: season opener by Dudamel and the LA Phil was so awesome, I had to see and hear it twice

Gustavo Dudamel and the Los Angeles Philharmonic opened their 2012/2013 season with a contemplative work by Ravel, a world premiere by Steven Stucky, and Stravinsky’s Le Sacre du printemps (The Rite of Spring).

In other words, it was Retro Week at Walt Disney Concert Hall.

This is exactly the kind of program which the orchestra famously made common during Esa-Pekka Salonen’s tenure as Music Director.  Mr. Salonen had a habit of programming Stravinsky pieces seemingly more often than Beethoven’s, and Mr. Stucky was his in-house composer during his entire 17-year stay in Southern California.  In fact, the ties go back even further than that.  While Mr. Stucky has had many of his works receive their premieres care of Mr. Salonen and this orchestra, he was first named Composer-in-Residence by Mr. Salonen’s predecesor, André Previn.  The orchestra’s relationship with Stravinsky goes back further still, having played many times under the baton of the erstwhile Angeleno composer himself.

Of course, Mr. Stucky hasn’t had any official link to the orchestra since the end of Mr. Salonen’s Music Directorship, and with The Rite of Spring and the LA Phil having been indelibly linked to Mr. Salonen for some time now, it was rather wise for Mr. Dudamel to give this showpiece a break for the past three years.  Putting a program like this together to start his fourth season with the orchestra is no small gesture for Mr. Dudamel, and I made a point of seeing and hearing it twice:  Friday’s opening night performance, and the close-out on Sunday afternoon.

So how did this very Salonen-like program come across in Mr. Dudamel’s hands?  In a word:  magnificently.

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