It’s time once again for your roundup on recent personnel movement (and lack thereof) at the Los Angeles Philharmonic. There is much to cover, so let’s get right to it, starting with the biggest news of the summer . . . The stories behind the departures of Ariana Ghez and Carrie Dennis The biggest buzz … Continue reading
The last time we talked in detail about the Los Angeles Philharmonic’s attempts to find a new Principal Oboe was three years ago. The previous person in the job, Ramon Ortega, managed to begin and end his tenure in the short span of six weeks [to understand why, go HERE]. The orchestra then held open … Continue reading
This evening, Ramón Ortega headlines a chamber music concert at the Colburn School’s Zipper Hall featuring oboe-centric works by Mozart, Koechlin, and Gounod. It marks the first official public appearance by Mr. Ortega as Colburn Conservatory’s new oboe instructor. Later this week, he officially begins performing at his other gig in town — Principal Oboe of … Continue reading
![The next LA Phil Principal Oboe will be Ramón Ortega Quero [UPDATED]](https://allisyar.files.wordpress.com/2017/11/ramonortegaquero04-1024x678-1024x678.jpg?w=290&h=290&crop=1 "The next LA Phil Principal Oboe will be Ramón Ortega Quero [UPDATED]")
Spanish oboist Ramón Ortega Quero — aka Ramon Ortega — has been offered the position of Principal Oboe of the Los Angeles Philharmonic. He will take over the position vacated by Ariana Ghez earlier this year if he chooses to accept the offer. [UPDATE: 2 NOV 2017: An earlier version of this article stated that Mr. … Continue reading
I recently was told that it was now officially Autumn. Really??!! Summer couldn’t have passed by that quickly, could it have? The temperature yesterday was still the 90’s as it has been for much of the past few weeks, and the humidity is ridiculous by Southern California standards. But it’s true, Fall is here. There were signs: Football season … Continue reading
The Los Angeles Philharmonic wrapped up its whirlwind twelve day, seven city tour last week. Reviews from the trip were generally positive, many even glowing. Critics seemed most impressed by the performances of 20th & 21st Century works by Bjarnason, Corigliano, and Rachmaninoff, with Yuja Wang’s pianistic contributions also earning requisite praise. The smattering of negative comments made were mostly … Continue reading
This past Friday night, the Los Angeles Philharmonic unveiled the latest foray into its three-year “Mozart/DaPonte Trilogy” project, the first ever performance (staged or otherwise) of The Marriage of Figaro in the orchestra’s history. It was glorious in every respect: visually striking, dramatically compelling, and musically excellent. Before a single note was played, one marveled at … Continue reading
The Los Angeles Philharmonic has begun presenting to local audiences the programs they will be taking on tour, all of which include music exclusively from the 20th and 21st Century. London, Lucerne, Paris, and New York get the two big programs: one featuring works by Vivier, Debussy, and Stravinsky; the other with John Adams’s massive oratorio, The … Continue reading
Gustavo Dudamel returned to the Los Angeles Philharmonic podium for the first time since October 14, 2012. Most of the next few weeks will be devoted to preparing programs for the orchestra’s upcoming tour to Europe and New York, but this past weekend’s concerts were not going to be played out of town. On paper, … Continue reading
Charles Dutoit’s annual visits to conduct the Los Angeles Philharmonic have become a highlight of every season, and his residency this year was more of the glorious same. Adding to the joy was the chance to see and hear him conduct something other than the FrancoRussian rut he has been in during the past seven … Continue reading
Recently, whenever there has been an opening for a music directorship at an orchestra, Pablo Heras-Casado usually gets included in the list of candidates to be considered. The 30-something Spanish maestro has many admirers and proponents, and he gets his fair share of positive press. The New York Philharmonic just announced that he’ll be making … Continue reading
A few years ago, I was at Walt Disney Concert Hall to see James Conlon conduct the Los Angeles Philharmonic in a concert of works by Prokofiev. Sitting right in front of me were two gentleman, one older and the other younger, speaking a European language I did not recognize. Whatever they were saying, they … Continue reading
It’s been an unexpectedly unruly past two weeks for yours truly. I squeezed in a few concerts at Walt Disney Concert Hall, but unfortunately didn’t have any capacity to do much of anything else, including write, until now. Time for me to start catching up. Before we get into my views of the performances, let’s … Continue reading
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading
You hear of a night of Haydn conducted by the ever-sunny Nicholas McGegan, and you probably think, “That’s nice.” You notice that the Haydn Trumpet Concerto will be the centerpiece of the evening and you might say, “Hmmm, haven’t heard that performed in a while.” You realize that Alison Balsom is the trumpet soloist, … Continue reading
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