The ten-week parade of guest conductors at the Los Angeles Philharmonic has begun. First in line: James Gaffigan, the American-born Chief Conductor of the Lucerne Symphony and previous right hand man to Michael Tilson Thomas in San Francisco and Franz Welser-Möst in Cleveland. His program featured one favorite, Rachmaninoff’s Rhapsody on a Theme of Paganini with Simon … Continue reading
Gustavo Dudamel’s final Walt Disney Concert Hall appearance of 2014 was all about himself, the Los Angeles Philharmonic, and what they could do together. The program featured three orchestral showpieces laden with built-in imagery for him to exploit. No daintiness was required. No soloists got in the way. A good time was had by all. Continue reading
We in Southern California are so spoiled. We’ve got amazing weather and a diverse geography with which to enjoy it; where else can you spend a couple of hours surfing in the morning and be snow skiing by lunchtime? We’ve got Vin Scully, two Stanley Cups in three years, and two solid college football teams 13 … Continue reading
Admit it: the first time you heard that Los Angeles Opera had decided to pair the Baroque charms of Purcell’s Dido and Aeneas with the expressionistic horrors of Bartok’s Bluebeard’s Castle, you didn’t exactly say to yourself, “Oh yeah, that makes total sense.” No, at best, you probably thought, “Hmmmm — that’d be interesting.” If … Continue reading
Tant y a feme scet bon taire! Femme est dehors religiouse, Dedanz poignaunt e venimose . . . (When it comes to women, men, hold your tongue! On the outside she’s religious, On the inside keen and venomous . . .) — excerpt from “The Vices of Women,” 13th Century poem, used in the … Continue reading
The works of John Williams are as ubiquitous as orchestral music can be in our 21st Century pop-dominated, globally diffuse society. It’d be an interesting experiment to see if a random sampling of people on the street would be as successful identifying such classical music standards as Mozart’s Eine kleine Nachtmusik or Tchaikovsky’s 1812 Overture as they would the … Continue reading
The Los Angeles Chamber Orchestra and their Music Director, Jeffrey Kahane, can almost always be counted on to present compelling programming, interesting soloists, and thoughtful interpretations. For their 2014-15 season opener, Mr. Kahane and the orchestra rolled out more of the same, care of a new work by Cameron Patrick, an infrequently-heard bit of piano concerto sass … Continue reading
