More about LA Opera:  first 2017/18 production announced, plus how about a contract extension for Grant Gershon?
Los Angeles Opera / Music News & Info: Classical

More about LA Opera: first 2017/18 production announced, plus how about a contract extension for Grant Gershon?

This past weekend’s press release from Los Angeles Opera about Music Director James Conlon’s latest contract extension through the end of the 2020/2021 season included statements from General Director Plácido Domingo, Board Chair Marc Stern, and Mr. Conlon himself. One person who was not quoted was the company’s Resident Conductor, Grant Gershon, so I asked him for … Continue reading

James Conlon extends LA Opera contract to 2020/2021 season
Appointments / Auditions & Appointments / Los Angeles Opera / Music News & Info: Classical

James Conlon extends LA Opera contract to 2020/2021 season

Los Angeles Opera gets to keep James Conlon around for a little longer.  Yesterday, the company announced that the New York-based conductor will remain as Music Director through the end of the 2020/2021 season.  His current contract was to expire next year. Mr. Conlon took over the position from Kent Nagano in 2006 and has been a huge presence ever since.  Plácido Domingo, … Continue reading

LA Opera gives Plácido Domingo a contract extension; let’s hope James Conlon is next (plus one more thing)
Appointments / Auditions & Appointments / Los Angeles Opera / Music News & Info: Classical

LA Opera gives Plácido Domingo a contract extension; let’s hope James Conlon is next (plus one more thing)

Los Angeles Opera announced today that Plácido Domingo will continue on as General Director through at least the end of the 2021/22 season.  He has held the title since 2003.  (The complete press release is below) The tenor/baritone cum conductor cum impresario has a long and storied history with the company, going back to 1984 … Continue reading

My $0.02 on LA Opera’s 2016/2017 Season
Los Angeles Opera / Music News & Info: Classical

My $0.02 on LA Opera’s 2016/2017 Season

The good folks at Los Angeles Opera just announced their 2016/17 season (at the slightly curious time of 9pm-ish Pacific Time, midnight-ish Eastern, but no matter).  There are six mainstage productions, one semi-staged musical, three “Off Grand” productions, plus the regular community performances of Britten’s Noah’s Flood.  First, the details, with my general observations on the season … Continue reading

BREAKING:  Shocking allegations at LA Opera; countertenor says “Don’t judge me!” as executive gives terse denial
Los Angeles Opera / Music News & Info: Classical

BREAKING: Shocking allegations at LA Opera; countertenor says “Don’t judge me!” as executive gives terse denial

Shocking allegations have arisen at Los Angeles Opera overnight.  I first caught wind of this yesterday via Twitter, and then the video below popped up.  Are illegal and/or unauthorized substances rampant at the company?  If so, for how long?  Countertenor Darryl Taylor, one of the singers at the center of the controversy, admits to his involvement before angrily … Continue reading

Down a different sort of rabbit hole:  the LA Phil finally brings Chin’s <i>Alice in Wonderland</i> to SoCal
All Reviews / Los Angeles Opera / Los Angeles Philharmonic / Music News & Info: Classical / Reviews 2014/2015

Down a different sort of rabbit hole: the LA Phil finally brings Chin’s Alice in Wonderland to SoCal

(Publisher’s note:  I’m proud to welcome Lauri D. Goldenhersh to the pages of All is Yar.  By training and profession, she is a mezzo-soprano, active throughout Los Angeles and a veteran of many local ensembles, including the Los Angeles Master Chorale.  She is also the publisher of Lauri’s List (laurislist.net), a website devoted to helping … Continue reading

A very conscious coupling:  LA Opera’s unconventional yet compelling double-bill of <i>Dido</i> & <i>Bluebeard</i>
All Reviews / Los Angeles Opera / Music News & Info: Classical / Reviews 2014/2015

A very conscious coupling: LA Opera’s unconventional yet compelling double-bill of Dido & Bluebeard

Admit it:  the first time you heard that Los Angeles Opera had decided to pair the Baroque charms of Purcell’s Dido and Aeneas with the expressionistic horrors of Bartok’s Bluebeard’s Castle, you didn’t exactly say to yourself, “Oh yeah, that makes total sense.”  No, at best, you probably thought, “Hmmmm — that’d be interesting.”  If … Continue reading