The four weekends of concerts by the Los Angeles Philharmonic this past January were noteworthy for three reasons: the diversity of programming, the quality of playing, and that the first three conductors — Bramwell Tovey, Zubin Mehta, and Lionel Bringuier — once held titled positions with the orchestra while the fourth, Gustavo Dudamel, is the LA Phil’s current … Continue reading
When the Los Angeles Master Chorale originally planned Beethoven’s Missa Solemnis for January of its 2016/17 season, the two performances, let alone the inauguration of a new President of the United States, were still more than a year away. There was no political statement, expressed or implied, in its scheduling, no inherent message of defiance or rebellion in its libretto. … Continue reading
With the season-opening gala in the rear view mirror, the Los Angeles Philharmonic and Music Director Gustavo Dudamel decided to kick-off their regular subscription concerts with a tried-and-true formula: Beethoven, more Beethoven, and a newish work by a living composer inspired by Beethoven. Such concerts usually attract a full house, but they can also be … Continue reading
[Publisher’s note: Writer and violinist Fiona Bryan has been a regular contributor to All is Yar, and I’m very happy to welcome her back again for this concert review] The Los Angeles Philharmonic and Music Director Gustavo Dudamel kicked off the 2016/17 season on Tuesday evening with an opening night concert and gala titled “Gershwin and The Jazz … Continue reading
The Los Angeles Chamber Orchestra kicked-off their 2016-17 season with the purest form of chamber music imaginable: three musicians in someone’s living room playing for a handful of engaged and enthralled guests. Yet as accurate as that description is, it merely begins to scratch the surface of what was a much richer experience that evening. … Continue reading
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