When I got the Los Angeles Philharmonic’s email informing me that one of their former Dudamel Conducting Fellows, Mirga Gražinytė-Tyla, had been selected as the orchestra’s Assistant Conductor, the first thing I thought was, “Oh, good for her.” The second thing I thought was, as a diacriticly-challenged English-speaker, “Wait — how exactly do you say that name?” I reached out … Continue reading
A little bit of Esa-Pekka Salonen is better than none at all. And so it turned out this past week with the Los Angeles Philharmonic. The original plan was that the orchestra’s beloved Conductor Laureate was supposed to be at the Hollywood Bowl for two concerts, beginning Tuesday night when he and pianist Yefim Bronfman (long-time … Continue reading
(Publisher’s note: We’re very happy to welcome back Fiona Bryan, writer and violinist, to All is Yar for this concert review). In the short year and a half that I have lived in Southern California, I have come to expect the unexpected when it comes to programming presented by various cultural organizations around Los Angeles. The progressive landscape of … Continue reading
I regularly get asked by friends and family who are planning on going wine tasting to share my advice and recommendations with them. After sending variations of the same emails to many of them, I decided to publish my thoughts for everyone to use and enjoy. Let’s start with Santa Ynez Valley and Sta. Rita Hills wineries … Continue reading
I hope you survived April Fool’s Day without a scratch to either your person or psyche. I witnessed some good-natured April Fool’s Day pranks, and managed to fall victim to none of it. FWIW: I’m a big fan of silly fun, and feel that there’s not enough of it during the other 364 days of the … Continue reading
George Gershwin is one of my favorite composers, easily in my top three if not my absolute favorite of all time. His classical music compositions, harmonically and rhythmically complex yet thoroughly lyrical and organic-sounding, were so inimitable and uniquely formed that both Maurice Ravel and Arnold Schoenberg refused to give him composition lessons on … Continue reading
Christmas, Hanukkah, Winter Solstice, and Festivus — all of their latest editions are now a distant memory. Perhaps it passed by and you didn’t get the CD you had secretly hoped for. Or maybe you’ve got an Amazon gift card and you’ve decided that you should really stop accumulating novels about forlorn vampires that … Continue reading
Yuval Sharon and the intrepid team at “The Industry” have done it again. Last year, they raised operatic hell with their innovative conceptualization of Anne LeBaron’s Crescent City. This year, their take on Chris Cerrone’s Invisible Cities has an entirely different vibe, but is innovative in its own way. Invisible Cities is one of those artistic … Continue reading
After the Los Angeles Master Chorale’s rousing season opening gala, Music Director Grant Gershon decided to trot out a familiar crowd-pleaser for its second weekend of concerts: Carl Orff’s Carmina Burana. For some, the cantata has worn out its welcome long ago, but for others — myself included — it remains an entertainingly addictive thrill-ride … Continue reading
The second set of concerts in this Los Angeles Chamber Orchestra season featured the group’s typically interesting mix of old and new, familiar and unexpected. Music Director Jeffrey Kahane crafted a program featuring orchestral works by Britten and Mozart, and also generously invited two musicians to make their LACO debuts in a pair of divergent … Continue reading
Let’s see . . . how best to put this . . . Einstein on the Beach is like ice cream. Or sex. Or Yosemite. Or that famously stinky flower that blooms at The Huntington. You can read or hear descriptions, see pictures, even watch videos, but none of these come anywhere close to experiencing … Continue reading
The names on the program — Gustavo Dudamel, Yo-Yo Ma — were impressive, the kind that transcend classical music into the popular consciousness. The musical offering — Cage, Bach, Tchaikovsky, Adès, Mahler, Saint-Saëns — was noteworthy, both for its eclecticism and its ability to offer a diverse showcase for the Los Angeles Philharmonic and Walt … Continue reading
Of all the resident companies at The Music Center, the Los Angeles Master Chorale is the one that truly sets LA apart from other big metros. Orchestras, opera and theatre companies, even ballets, are a dime a dozen in other performing arts centers, but no one else can claim an independent choir of such high … Continue reading
The mood at Los Angeles Opera leading up to the beginning of this new season has been thoroughly buoyant, the result of a confluence of good news: After successfully dealing with a pulmonary embolism that kept him off stages and podiums all over the world, Plácido Domingo — the company’s General Director, überbaritenor, and part-time conductor — triumphantly returned to … Continue reading
(Publisher’s note. I’m thrilled to introduce the first-ever guest writer on All is Yar: Fiona Bryan. Fiona has a BM & MM in Violin Performance from Blair School of Music at Vanderbilt University and University of Missouri, respectively, and has performed in various orchestras across the country. More recently, she’s been working in marketing, PR, and … Continue reading
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