Good chemistry between a conductor and orchestra is a difficult thing to predict or explain, but as former Supreme Court Justice Potter Stewart might say, I know it when I see it. And I know I saw — and heard — it this past Monday night when David Robertson brought the St. Louis Symphony into … Continue reading
As we reach the end of December, it’s traditionally time for a retrospective look at the year that is just completed. Since 2012 was the first full calendar year of All is Yar‘s existence, it’s an especially important one for me. I’ve been fortunate — dare I say “blessed” — to have been able to … Continue reading
Long before Madonna was the most famous American in self-imposed exile in the UK, another noteworthy American-turned-Brit wrote some unkind words about April (or at least that’s what the Thunder said). Whatever. Don’t believe the hype — April is a kick-ass month, and this one in particular is full of all kinds of stuff … Continue reading
Last Friday, Riccardo Muti and the Chicago Symphony made their long-awaited visit to the Southland with a one-night stop at Segerstrom Concert Hall in Costa Mesa. The whole affair had a “take it or leave it” feel, beginning with the curiously obscure program of works by Honegger, Mason Bates, and Franck, and ending with Mr. … Continue reading
Originally posted on classical life:
Click here to see my article on the 2010-2013 season of the Philharmonic Society of Orange County, announced today. photo: Clive Barda, courtesy of the Philharmonic Society of Orange County
“I always hated the Diabelli Variations,” writes Marino Formenti. Coming from any other pianist, this would sound like a confession. Marino Formenti is not “any other pianist.” The Italian-born musician only began studying Beethoven’s meandering piano work at the recent request of Dean Corey, President and Artistic Director of the Philharmonic Society of Orange County. … Continue reading
