For Memorial Day 2018, I offer this video of a 2016 performance by the US Marine Band (“The President’s Own”) featuring soloist Thomas Hooten, Los Angeles Philharmonic Principal Trumpet, playing an arrangement of “With Malice Toward None” from the John Williams soundtrack to the movie Lincoln. Mr. Hooten was a member of the US Marine …
The Southern California classical music community has lost one of its important voices. Robert D. “Bob” Thomas died in the early morning of Thursday, May 3rd. He reached countless readers as the long-time music critic and writer for the Pasadena Star-News and its sister publications in the Southern California News Group, as well as for … Continue reading
Camerata Pacifica‘s April concert was a juxtaposition of two contrasting works: the world premiere of Lera Auerbach‘s 24 Preludes for Viola and Piano (“Wanderer”), a Camerata Pacifica commission; and the Piano Trio in B-flat Major by Schubert. Both were roughly 45-minutes in length, but similarities ended there. Continue reading
The Ojai Music Festival announced this morning that Chad Smith will be their new Artistic Director beginning in 2020. Mr. Smith will take over for Thomas W. Morris, Ojai’s Artistic Director since 2004 and former top executive with the Cleveland Orchestra and Boston Symphony, who had previously announced his decision to retire after the 2019 … Continue reading
The Los Angeles Master Chorale opened their 2016-17 season with staged performances of Orlando di Lassos’s Lagrime di San Pietro (Tears of St. Peter), a Renaissance-era work unknown to most singers and audience members alike, even the most ardent aficionados of choral music. I spoke to Artistic Director Grant Gershon at the time. We discussed … Continue reading
Thirty-five years ago today, New Order released their seminal New Wave dance hit, “Blue Monday.” The song — along with its iconic packaging for the 12″ vinyl single as an over-sized floppy disc — represents a key moment in time for the band, the clearest indication that it had moved beyond its more austere roots … Continue reading
After teasing its 2018/19 season in November and postponing its originally planned announcement by an extra couple of days, the Los Angeles Philharmonic finally dropped the other shoe last week and released full details of its Centennial Season. It is, to use a word that is ubiquitous yet completely accurate and appropriate this time: awesome. … Continue reading
While everyone in the classical music space has been holding its collective breath waiting for the Los Angeles Philharmonic, that benevolent 800-lb. gorilla of the Southern California artistic landscape, to release details of the rest of its 2018/19 season, we should pause and examine next year’s season recently announced by the smaller yet artistically worthy … Continue reading
