Yesterday, in Part 1 of the latest edition of this ongoing series, I discussed efforts to fill double-digit openings in the strings sections of the Los Angeles Philharmonic. While the sheer number of strings vacancies is more than double those in the rest of the orchestra, the absence of single woodwind, brass, or percussion players … Continue reading
The Los Angeles Philharmonic has made some rather impressive hires during the Gustavo Dudamel era, but perhaps none more intriguing than the three stellar principal woodwinds. They’re tough to miss, both because they sit dead-center in the orchestra and, more importantly, because their playing is impeccable. They also share a notable line-item on their curriculum … Continue reading
All is Yar 