The names on the program — Gustavo Dudamel, Yo-Yo Ma — were impressive, the kind that transcend classical music into the popular consciousness.   The musical offering — Cage, Bach, Tchaikovsky, Adès, Mahler, Saint-Saëns — was noteworthy, both for its eclecticism and its ability to offer a diverse showcase for the Los Angeles Philharmonic and Walt … Continue reading →