Yesterday, in Part 1 of the latest edition of this ongoing series, I discussed efforts to fill double-digit openings in the strings sections of the Los Angeles Philharmonic. While the sheer number of strings vacancies is more than double those in the rest of the orchestra, the absence of single woodwind, brass, or percussion players … Continue reading
This is part 2 of my conversation from Tuesday, May 28, with Matthew Howard, the Los Angeles Philharmonic’s Principal Percussion (part 1 is HERE). We continue our discussion about Naru, the percussion concerto Joseph Pereira wrote for him and the LA Phil receiving it’s premiere this week (Thursday, Saturday, and Sunday in Walt Disney Concert … Continue reading
Almost all classical musicians start playing their instrument in their youth, usually when their age is still in single digits — some as young as 2-years old are bowing cardboard violins. They spend two decades refining their craft to take multiple auditions, hoping to get paid to play music. Most of them play in a … Continue reading
The Los Angeles Philharmonic held open auditions earlier this week for a new “Assistant Principal Timpani / Section Percussion” player. Continue reading
“Someone will usually ask me: ‘How did you pick percussion or drums?’ I didn’t, it picked me. It was always been the sound of a drum that caught my ear,” explains Raynor Carroll, Principal Percussionist for the Los Angeles Philharmonic. “I like to say I have the ideal job – and soon I’ll say I had the … Continue reading
All is Yar 