World-class ballet is a transient in Los Angeles. All other genres of Western classical performing arts — orchestral, chamber music, operatic, even choral — have seen resident ensembles flourish since the founding of The Music Center in the 1960s. Yet with all due respect to folks like the Los Angeles Ballet led by Thordal Christensen … Continue reading
The New Hollywood String Quartet and The Da Camera Society have announced the “Summer of Beethoven Chamber Music Festival.” Four concerts of 11 works will be performed in Los Angeles at the Pompeian Room of the Doheny Mansion from July 14 to July 17, 2022. The Quartet — violinists Tereza Stanislav and Rafael Rishik, violist … Continue reading
When I got the Los Angeles Philharmonic’s email informing me that one of their former Dudamel Conducting Fellows, Mirga Gražinytė-Tyla, had been selected as the orchestra’s Assistant Conductor, the first thing I thought was, “Oh, good for her.” The second thing I thought was, as a diacriticly-challenged English-speaker, “Wait — how exactly do you say that name?” I reached out … Continue reading
With the start of the new Los Angeles Philharmonic season, it’s time once again to examine the current personnel situation at the orchestra. The first thing worth mentioning is that there isn’t much to mention, especially compared to previous seasons. Just eyeballing it, but it looks like the orchestra has the fewest empty chairs to … Continue reading
I am going to go out a relatively short limb and say that John Cage’s 4’33” is the most famous — even infamous — work in 20th-Century classical music despite the fact that only a few musicians have actually played — or “played” (said while making air quotes with fingers) — it. The three-movement work comes with … Continue reading
“I think that Debussy is, perhaps, the most important composer of this century. I also happen to think that today, the future of classical music has a lot to do with Debussy, Ravel, Stravinsky, and less to do with Schoenberg, Berg, and Webern. The relationship between Debussy and Stravinsky is particularly interesting. First of all, … Continue reading
. Coming directly from the man himself — or at least his Twitter account — is this short and sweet statement from Robert deMaine: “I’m starting as Principal Cello in the Los Angeles Philharmonic officially on May 11. So excited!” Let me be among the first to congratulate Mr. deMaine and the orchestra on this … Continue reading
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading
The Los Angeles Philharmonic recently held auditions to find a new Principal Cello to replace Peter Stumpf, whose name still appears on their roster as being “On Leave” but who hasn’t been with the orchestra all season. The required repertoire list for the audition included some excerpts that would be expected (Haydn Concerto, Don Quixote, La … Continue reading
All is Yar 