The first time I learned about Lionel Bringuier was in November 2006. The late great Alan Rich wrote about how the powers-that-be at the Los Angeles Philharmonic at the time — among them, Esa-Pekka Salonen, Deborah Borda, orchestra musicians, and board members — were blown away by Mr. Bringuier and named him Assistant Conductor at … Continue reading
Author Archives: CK Dexter Haven
Five concerts, four conductors at different stages of their relationship w/ the LA Phil (part 1 of 4): Vasily Petrenko conducts Nielsen and Shostakovich; Trpceski plays Grieg’s Piano Concerto
Based solely on what I saw and heard a couple of weeks ago, I’d guess that Vasily Petrenko and the Los Angeles Philharmonic have a good thing going. Throw in the fact that Rick Schultz said in the Los Angeles Times that Mr. Petrenko “made a deeply felt, unforgettable impression” at his January 2010 debut with … Continue reading
Upcoming concerts that will hopefully make it a musical December to remember
Here are the Southern California musical events happening in the coming month which are grabbing my attention, and that should be grabbing yours too: Jacaranda’s holiday-ish “Winter Dreams” Concert this Saturday Yes, ’tis the season for Messiah and The Nutcracker, but if you’re looking for something a little different, the intrepid folks at Jacaranda offer up this mix of … Continue reading
The LA Phil’s new brass principals are definitely making their presence felt
Despite my tardiness, I’ve still been wanting to write about last month’s Los Angeles Philharmonic performance of the Mahler 5th Symphony. Sure, at least three loyal readers have been prodding me in public and private to do so. On top of that, the concert featured Daniel Harding, a conductor who hasn’t made a visit to … Continue reading
The latest from LA Opera: an enjoyable “Madame Butterfly,” a spectacular Pinkerton
Full disclosure: Madame Butterfly is not one of my favorite operas. I understand its popularity and appreciate its usual appeal to most of its fans (sweeping melodies, exotic locales, an easy-to-feel-sorry-for heroine, etc.), but no matter how many chances I give it, I’m never drawn into the music or the drama. Count me in the … Continue reading
Something familiar, something peculiar, something for everyone: “Casual Friday” with the LA Phil
On paper, Friday night’s Los Angeles Philharmonic concert seemed straightforward enough: a program filled with loads of well-known hum-along tunes, a beloved old-school conductor (Rafael Frühbeck de Burgos) on the podium, and a popular soloist (Lynn Harrell) joining in on the fun. In the concert hall, everything was generally as one would expect: the music … Continue reading
Salonen, Philharmonia bring a vivid “Wozzeck” to Walt Disney Concert Hall
Esa-Pekka Salonen is certainly among the most popular of classical musicians world-wide, but here in Southern California, it’s on a slightly different level. You’d expect the current Conductor Laureate and former Music Director of the Los Angeles Philharmonic to have a strong following among the locals, and sure enough, he got a loud and prolonged … Continue reading
Delta Airlines disses Lynn Harrell and his cello
Lynn Harrell, cellist extraordinaire, is going to be performing the Haydn C Major concerto this week with the Los Angeles Philharmonic and Rafael Frühbeck de Burgos. Since he makes his home in Santa Monica, he’ll probably be driving, not flying, to rehearsals and performances. This makes for easy and non-controversial transportation for him and his cello … Continue reading
Some much needed levity, of both high brow and low brow variety
I was going to finish my review of this past Saturday’s Los Angeles Philharmonic Mahler 5 concert, or of András Schiff‘s sparkling take on Book 2 of The Well-Tempered Clavier before that, or the Los Angeles Master Chorale’s excellent organ concert before both of them. Instead, I figured I’d post a couple of funny things to … Continue reading
Catching up with the LA Phil: one post, three concert reviews
Continuing my efforts to clear my mental backlog of things I’ve wanted to write about during the past two weeks but couldn’t, below are my (slightly abridged) thoughts on three Los Angeles Philharmonic concerts from last week, specifically: Gustavo Dudamel’s multimedia concert featuring Ravel and Knussen The first Green Umbrella concert of the year, with … Continue reading
Catching up with the LA Phil: trying to fill empty chairs
It’s been an unexpectedly unruly past two weeks for yours truly. I squeezed in a few concerts at Walt Disney Concert Hall, but unfortunately didn’t have any capacity to do much of anything else, including write, until now. Time for me to start catching up. Before we get into my views of the performances, let’s … Continue reading
CD review: LA Master Chorale’s new Górecki recording is stunning
The Los Angeles Master Chorale and their Music Director, Grant Gershon, get ready to officially kick-off their 2012/2013 this coming Sunday. Among the music to be featured that night are works by Nico Muhly that they have previously recorded: Bright Mass with Canons and the West Coast premiere of A Good Understanding. All that said, … Continue reading
About freakin’ time
Originally posted on Classical Life:
From today’s Orange County Register online, and tomorrow’s print version, Page 2: Last item It has been our pleasure to serve you as the ruthless people columnist these past two-plus years, but as a philosopher once said, “All bad things must come to an end.” Today is our (as in…
Angela Meade brings added punch to LA Opera’s cast of Don Giovanni for final two shows
Los Angeles Opera made some cast changes for the last two performances of Don Giovanni, the most noteworthy being the addition of Angela Meade as Donna Anna (Julianna Di Giacomo played the role for the first five performances). The winner of the 2011 Richard Tucker Award and the Met’s 2012 Beverly Sills Artist Award, Ms. … Continue reading
A case of musical ADD: Andsnes and Dudamel headline latest LA Phil concert, but news of deMaine creates the biggest buzz
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading