The New York Philharmonic has auditions to fill their vacant Principal Oboe chair over the next few weeks. The musical interwebs has been rife with widespread speculation, consternation, and Kalshi/Polymarket betting (OK, I’m kidding about the last one) around as to whether Ryan Roberts, current holder of the same job with the Los Angeles Philharmonic, … Continue reading
Category Archives: Auditions & Appointments
Comings and going at the LA Phil and beyond (March 2026 edition, pt. 2): the latest guest concertmasters, thoughts on oboist Ryan Roberts, and more
Yesterday, we talked about the Pacific Symphony and Los Angeles Philharmonic picking the same clarinetist to fill open titled chairs, as well as the results of the LA Phil’s Principal Viola auditions. Today we’ll cover: Continue reading
Comings and going at the LA Phil and beyond (March 2026 edition, pt. 1): a clarinet tug-of-war and a viola shuffle
The Los Angeles Philharmonic released details of their 2026-27 Walt Disney Concert Hall season yesterday, the first without Gustavo Dudamel as Music & Artistic Director and with Esa-Pekka Salonen in his new job as Creative Director (on top of his extant Conductor Laureate title). The press release is HERE. A full chronological schedule is HERE. … Continue reading
Comings and goings at the LA Phil (Fall 2025 edition, pt. 3): another new percussionist confirmed
Earlier this year, when the Los Angeles Philharmonic announced auditions for Assistant Principal and Section Percussion, I thought two things were possible: The auditions were for a single open position to replace Perry Dreiman, section percussionist who retired last year and who often played as acting principal. The auditions were for two separate positions, meaning … Continue reading
Comings and goings at the LA Phil (Fall 2025 edition, pt. 2): a familiar face gets newly created percussion job, plus woodwind news
Yesterday, in Part 1 of the latest edition of this ongoing series, I discussed efforts to fill double-digit openings in the strings sections of the Los Angeles Philharmonic. While the sheer number of strings vacancies is more than double those in the rest of the orchestra, the absence of single woodwind, brass, or percussion players … Continue reading
Comings and goings at the LA Phil (Fall 2025 edition, pt. 1): a potential new Concertmaster given a trial, plus other news with the strings
The Los Angeles Philharmonic’s 2025/26 indoor season kicks off tonight at Walt Disney Concert Hall, the final one of Gustavo Dudamel’s tenure before he decamps for New York. The program includes the world premiere of Ellen Reid’s Earth Between Oceans and Strauss’s An Alpine Symphony (which of course is actually a tone poem, not a … Continue reading
I was (mostly) right: LA Phil gives Salonen new title, answers some follow-up questions
Last year, when I wrote this piece about the Los Angeles Philharmonic’s search for a new Music Director once Gustavo Dudamel’s tenure ends in 2026, I said, “If I ruled the world, I’d put Esa-Pekka Salonen mostly in charge while I took my time to find the right permanent replacement.” Turns out, I’m not the … Continue reading
A chat with Alexander Shelley: Pacific Symphony’s next Artistic & Music Director tells me what he thinks of the orchestra’s sound, if he’ll live in The OC, and more
One of the Southern California orchestras looking for a new leader found their person. This past Wednesday at Segerstrom Concert Hall, the Pacific Symphony officially introduced Alexander Shelley as their next Artistic & Music Director. He will serve as Music Director Designate for the 2025-26 season and officially take the post in Fall of 2026, … Continue reading
Comings and goings at the LA Phil (Summer 2024 edition, pt. 1): which conductors new CEO Kim Noltemy could — and should — consider as Music Director candidates
Welcome back, dear friends. I hope the last year has treated you well. It’s good to be with you again. With the Los Angeles Philharmonic back at the Hollywood Bowl and their summer classical music subscription season officially kicking off tonight, I wanted to start the latest edition of this regular “Comings and Goings” series … Continue reading
Comings and goings at the LA Phil and beyond (July 2023 edition): Chicago & LA (& SF) may swap principals + much more
Geez, I step away from covering classical music for a few months, and things decide to go crazy! First, in early February, Gustavo Dudamel announced that at the end of the Los Angeles Philharmonic’s 2025-2026 season, he’d decamp for that “other” Philharmonic in New York. Then, last month, LA Phil CEO Chad Smith made his … Continue reading
LA Phil adds a timpanist/percussionist
The Los Angeles Philharmonic held open auditions earlier this week for a new “Assistant Principal Timpani / Section Percussion” player. Continue reading
Marc Lachat will be the next LA Phil Principal Oboe
I hate to say that I told you so, but I told you so. Continue reading
Inside info about LA Phil auditions from Nathan Cole, First Associate Concertmaster
On the heels of all the talk about various auditions in Part 1 and Part 2 of the Spring 2022 edition of “Comings and Goings at the LA Phil” published earlier this week, I thought All is Yar readers would find this interesting . . . Continue reading
Comings and goings at the LA Phil (Spring 2022 edition, part 2 of 2): Principal Oboe candidates — and a bold prediction or two
The last time we talked in detail about the Los Angeles Philharmonic’s attempts to find a new Principal Oboe was three years ago. The previous person in the job, Ramon Ortega, managed to begin and end his tenure in the short span of six weeks [to understand why, go HERE]. The orchestra then held open … Continue reading
Comings and goings at the LA Phil (Spring 2022 edition, part 1 of 2): five empty chairs filled, including new Tuba and Associate Principal Bass
The Los Angeles Philharmonic has been busy trying to plug multiple holes in its roster throughout this season. The COVID-19 pandemic had prevented it from trying to hire anyone for over a year. That changed beginning Fall of 2021 when they held auditions for Section 1st and 2nd Violin and Fourth Horn. The orchestra followed … Continue reading