It’s been an unexpectedly unruly past two weeks for yours truly. I squeezed in a few concerts at Walt Disney Concert Hall, but unfortunately didn’t have any capacity to do much of anything else, including write, until now. Time for me to start catching up. Before we get into my views of the performances, let’s … Continue reading
When it comes to standard musical fare at the Hollywood Bowl, it’s tough to come up with two composers more iconic than George Gershwin and Leonard Bernstein. Besides having their music performed pretty much every summer in the Cahuenga Pass, the two Americans have other close ties to the Bowl: The 1937 memorial concert commemorating … Continue reading
It was time for musicians to break out their summer whites and for the audiences to try to not roll empty bottles of wine down concrete steps. That’s right: I’m talking about summer at the Hollywood Bowl. After a few concerts of playing back-up band to Barry Manilow, the Los Angeles Philharmonic opened the classical … Continue reading
It wasn’t supposed to be an all-Mozart program. What was originally announced as a Tchaikovsky/Sibelius program morphed a couple of times over the course of this season before landing on its final form. One of the subscribers wasn’t happy about all the repeated changes and made her opinion known during the “Casual Friday” post-concert Q&A. With … Continue reading
It’s been a while since Neeme Jarvi has stood on the Los Angeles Philharmonic’s podium. The last time he led them downtown was at the end of the 1988/89 winter season, when he was tapped to replace Andre Previn who had withdrawn on short notice with an injury after having resigned as Music Director just … Continue reading
Clearly, Mahler was a guy who liked to think and compose about death. Musical allusions to it show up in all of his works being performed as part of the Los Angeles Philharmonic’s “Mahler Project” (some may quibble about Songs of the Wayfarer, but if you’re singing about putting a red-hot knife in your breast, … Continue reading
In what has become a nearly annual event, the Pacific Symphony Orchestra (PSO) has named a new Principal Flute: this time around, the winner is Benjamin Smolen, the current Principal Flute of the Battle Creek Symphony. Mr. Smolen has played as a guest with the Pacific Symphony before. Now that he’s got the full-time gig, let’s hope … Continue reading
