“Bach’s B-minor Mass? Wow. That is the mountaintop,” says Grant Gershon. He should know. When it comes to choral music in Southern California, likely even the entire country, there isn’t a more prominent musician than the man who is both Music Director of the Los Angeles Master Chorale and Resident Conductor & Chorus Master of … Continue reading
Los Angeles Opera announced their 2014/2015 season today. After browsing the press release (seen in its entirety below), here are my top of mind thoughts and observations: A little surprised that the number of main stage productions is still at six (well, seven productions if you count the double bill as two separate operas). That … Continue reading
Christmas, Hanukkah, Winter Solstice, and Festivus — all of their latest editions are now a distant memory. Perhaps it passed by and you didn’t get the CD you had secretly hoped for. Or maybe you’ve got an Amazon gift card and you’ve decided that you should really stop accumulating novels about forlorn vampires that … Continue reading
After the Los Angeles Master Chorale’s rousing season opening gala, Music Director Grant Gershon decided to trot out a familiar crowd-pleaser for its second weekend of concerts: Carl Orff’s Carmina Burana. For some, the cantata has worn out its welcome long ago, but for others — myself included — it remains an entertainingly addictive thrill-ride … Continue reading
Of all the resident companies at The Music Center, the Los Angeles Master Chorale is the one that truly sets LA apart from other big metros. Orchestras, opera and theatre companies, even ballets, are a dime a dozen in other performing arts centers, but no one else can claim an independent choir of such high … Continue reading
The Los Angeles Philharmonic is in the midst of the continental European leg of its tour to London, Lucerne, Paris, and New York. Reviews of concerts in London have been consistent in their high praise of the orchestra’s performance and sound in the fairly adventurous repertoire they have taken on the road. On balance, they … Continue reading
I was very happy to see this very promising information show up in my inbox this afternoon: The Los Angeles Master Chorale announced their 2013/2014 season, a year which celebrates a pair of anniversaries: 50 years since it’s founding by the legendary Roger Wagner as one of the Los Angeles Music Center’s resident companies. 10 … Continue reading
Los Angeles Opera announced their 2013/2014 season today. As far as I’m concerned, the most noteworthy things: Not a big increase in number of productions and performances versus the 2012/2013 season, but the mix is a bit more diverse — including three performances of Glass’s Einstein on the Beach. Tenor Brandon Jovanovich returns to L.A. … Continue reading
Full disclosure: Madame Butterfly is not one of my favorite operas. I understand its popularity and appreciate its usual appeal to most of its fans (sweeping melodies, exotic locales, an easy-to-feel-sorry-for heroine, etc.), but no matter how many chances I give it, I’m never drawn into the music or the drama. Count me in the … Continue reading
The Los Angeles Master Chorale and their Music Director, Grant Gershon, get ready to officially kick-off their 2012/2013 this coming Sunday. Among the music to be featured that night are works by Nico Muhly that they have previously recorded: Bright Mass with Canons and the West Coast premiere of A Good Understanding. All that said, … Continue reading
I don’t remember the last time I heard the Los Angeles Master Chorale have a less-than-impressive performance, let alone a bad day. It’s had to happen; the group is only human, after all. The Master Chorale has a long and distinguished history, but ever since Grant Gershon took over as Music Director in 2001, its … Continue reading
Grant Gershon and the Los Angeles Master Chorale have spent the better part of a month helping the Los Angeles Philharmonic with their Mahler Project. With their Disney Hall roommates moving on to Venezuela for the rest of the “Project,” conductor and chorus have collectively moved on in their own way without having to leave … Continue reading
I am still trying to piece together the data for the next installment of my analysis of Gustavo Dudamel’s penchant for new music (as promised in my previous post); however, these things take time and the day job keeps getting in the way. In the meantime, it seems like every time you turned around recently, … Continue reading
All is Yar 