The Los Angeles Master Chorale has announced its 2021-2022 season, featuring 10 different programs played over 14 nights. It will mark the group’s post-shutdown return to Walt Disney Concert Hall. Large works conducted by Artistic Director Grant Gershon will include Rachmaninoff’s All-Night Vigil (Nov 20 & 21, 2021), Handel’s Dixit Dominus and Pärt’s Te Deum (March 20, … Continue reading
Big news from the Los Angeles Chamber Orchestra: First, the orchestra, led by Music Director Jaime Martin, will begin playing again this summer The initial concert on Saturday, June 26, will be at Walt Disney Concert Hall It will be the first performance for a live audience at WDCH since the venue closed for the … Continue reading
The Los Angeles Master Chorale opened their 2016-17 season with staged performances of Orlando di Lassos’s Lagrime di San Pietro (Tears of St. Peter), a Renaissance-era work unknown to most singers and audience members alike, even the most ardent aficionados of choral music. I spoke to Artistic Director Grant Gershon at the time. We discussed … Continue reading
Los Angeles Opera and Plácido Domingo, their General Director, issued a press release last week announcing details of their 2018/19 (full details are below). In short, here’s what we’ve got to look forward to: Mainstage (Dorothy Chandler Pavilion) Six performances each of: Don Carlo (Verdi): September 22 through October 14, 2018; revival. James Conlon conducts. Ramón Vargas (Don … Continue reading
When the Los Angeles Master Chorale originally planned Beethoven’s Missa Solemnis for January of its 2016/17 season, the two performances, let alone the inauguration of a new President of the United States, were still more than a year away. There was no political statement, expressed or implied, in its scheduling, no inherent message of defiance or rebellion in its libretto. … Continue reading
The other shoe has dropped. Having already mentioned that Gluck’s Orpheus and Eurydice will be on the 2017/18 season docket, Los Angeles Opera announced the rest of next season’s schedule earlier this evening. As with the LACO 207/18 season announcement, I’ll give my $0.02 later this week. In the meantime, here are some noteworthy tidbits: Continue reading
This past weekend’s press release from Los Angeles Opera about Music Director James Conlon’s latest contract extension through the end of the 2020/2021 season included statements from General Director Plácido Domingo, Board Chair Marc Stern, and Mr. Conlon himself. One person who was not quoted was the company’s Resident Conductor, Grant Gershon, so I asked him for … Continue reading
The term “unknown masterpiece” is one usually ascribed to works that haven’t seen the light of day for decades or centuries before somehow being unearthed: a Bach aria stashed amidst birthday cards in a Weimar library or a $5 thrift store painting that may end up being a long-lost Jackson Pollack. Lagrime di San Pietro (Tears of … Continue reading
Jean Davidson is six months into her job as President & CEO of the Los Angeles Master Chorale, and in some ways, she’s still settling in. She’s lived much of the past two decades in New York. Her most recent ten years were spent as the administrative yin to the artistic yang of acclaimed choreographer … Continue reading
Earlier today, the Los Angeles Master Chorale announced that Jean Davidson will be its new President and CEO beginning August 31, 2015. She takes over the position from Terry Knowles, who is retiring at the end of this season after having led the organization for the past 15 years. Ms. Davidson comes to the Master Chorale from New York … Continue reading
Delaram Kamareh is not a big believer in doing exactly what everyone thinks a soprano should do, and by extension, what they think SHE should do. As we chat over a bite to eat, she recalls a recent conversation with a would-be agent: “It was pretty clear that we weren’t a good fit for each other. … Continue reading
If you’re trying to pack ’em into a concert hall for a choral concert, the usual course of action involves programming a warhorse, preferably one with a big orchestra. Carmina Burana. Beethoven’s 9th. A requiem by Verdi or Mozart. The Los Angeles Master Chorale has an alternate formula that works just as well: program something written … Continue reading
Tant y a feme scet bon taire! Femme est dehors religiouse, Dedanz poignaunt e venimose . . . (When it comes to women, men, hold your tongue! On the outside she’s religious, On the inside keen and venomous . . .) — excerpt from “The Vices of Women,” 13th Century poem, used in the … Continue reading
This coming Sunday marks the final concert of the Los Angeles Master Chorale’s landmark 50th Anniversary Season. For the occasion, Music Director Grant Gershon has put together a typically forward-looking program of works by Shawn Kirchner, David Lang, Francisco Núñez, Gabriela Lena Frank, and – last but certainly not least – Esa-Pekka Salonen. All … Continue reading
“Bach’s B-minor Mass? Wow. That is the mountaintop,” says Grant Gershon. He should know. When it comes to choral music in Southern California, likely even the entire country, there isn’t a more prominent musician than the man who is both Music Director of the Los Angeles Master Chorale and Resident Conductor & Chorus Master of … Continue reading
All is Yar 