It was not your average Sunday afternoon at Walt Disney Disney Concert Hall. Gustavo Dudamel was still on the podium for the Los Angeles Philharmonic’s unofficial Mozart Month, but that was pretty much where “business as usual” ended. The LA Phil had decided that their first-ever complete performances of Don Giovanni would be full-blown productions, … Continue reading
I’ve been looking forward to attending the Los Angeles Philharmonic’s fully-staged Don Giovanni for a number of reasons: First of all, well, because it’s Don Giovanni and who doesn’t want to see and hear that under pretty much any circumstance? The appearance of Mariusz Kwiecien in the title role. It’s been a very good season for … Continue reading
On this date in 1865, Jean Sibelius, Finnish composer and nationalist, was born. In his honor, below is a brief excerpt of his Second Symphony played by the Gothenburg Symphony, conducted by their Music Director, Gustavo Dudamel. If you want to hear the whole thing, here’s also a live recording of the whole Second Symphony conducted by Esa-Pekka … Continue reading
With Esa-Pekka Salonen returning for a second weekend to the Los Angeles Philharmonic’s podium, and with me trying to kill an hour before tonight’s all-Shostakovich program begins at Walt Disney Concert Hall, I thought it was time to fulfill a promise I made in a prior discussion; namely, to compare Mr. Salonen’s penchant for conducting … Continue reading
There is a point in the last movement of Berlioz’s Symphonie fantastique when funeral bells loudly toll and announce the beginning of a dance of witches. The ominous three note sequence repeats — forte, then piano — and continues on as the tubas begin playing the Dies Irae from the old Roman Catholic mass for … Continue reading
A near-capacity crowd filled the Hollywood Bowl to the brim this past Saturday night. Gustavo Dudamel was in the house, along with the Los Angeles Philharmonic and some other folks. But for once, the crowd was not really there to see The Dude. Sure, there were a few screams of “We love you, Gustavo!” but … Continue reading
I am still trying to piece together the data for the next installment of my analysis of Gustavo Dudamel’s penchant for new music (as promised in my previous post); however, these things take time and the day job keeps getting in the way. In the meantime, it seems like every time you turned around recently, … Continue reading
“Gustavo Dudamel — new music conductor.” Or perhaps, “Gustavo Dudamel — new music proponent.” Really?? The young maestro is not necessarily known for conducting new music as much as others such as David Robertson or Kent Nagano, and he certainly does not have the reputation or gravitas that Esa-Pekka Salonen brings when conducting “new” or … Continue reading
I received an email from the Los Angeles Philharmonic a couple of days ago informing me that there would be a slight change for their October 20 & 21 programs: instead of Tromba Lontana by John Adams, the curtain raiser will now be Short Ride on a Fast Machine (also by Adams) in a concert which also includes … Continue reading
Though the Hollywood Bowl has been open for about a month, the Los Angeles Philharmonic play did not play in their white jackets (and blouses) under the venue’s iconic white arches until this past Friday and Saturday when they gave the word premiere performances of the full film score to West Side Story. They followed it … Continue reading
All is Yar 