Clearly, Mahler was a guy who liked to think and compose about death. Musical allusions to it show up in all of his works being performed as part of the Los Angeles Philharmonic’s “Mahler Project” (some may quibble about Songs of the Wayfarer, but if you’re singing about putting a red-hot knife in your breast, … Continue reading
The Los Angeles Philharmonic’s all-Gershwin season opening gala may have occured many months ago, but PBS’s “Great Performances” is only now getting around to broadcasting the video from the concert — most of it, anyway. Better late (and abridged) than never. The first broadcast is this evening at 6pm Pacific Time (on KPBS and PBS … Continue reading
Esa-Pekka Salonen was back for his second week with the Los Angeles Philharmonic. With a world premiere of the abandoned opera, Orango, paired with the withdrawn-for-25-years Symphony No. 4, his all-Shostakovich concerts were a study of two contrasting works that had both been hidden and eventually brought to new light. To add to the lost-and-found theme, E-P himself … Continue reading
Esa-Pekka Salonen is back, and there is much rejoicing. All the Los Angeles Philharmonic’s Conductor Laureate had to do was merely walk on stage Sunday afternoon, and the applause was enthusiastic and loud cheers were already audible. He didn’t disappoint. The first series of his two week stint was vintage Salonen. Continue reading
On paper, Sunday afternoon’s concerts belonged to conductor Emmanuelle Haïm. The reality was that and much more. Ms. Haïm dominated the concert. Many musicians had solo turns of one sort or another, and two — oboist Ariana Ghez and recorder player (or is it recordist?) Rotem Gilbert — even played front and center. Yet when it was … Continue reading
Yuja Wang is the real deal. If there was any doubt that might have crept in as to whether or not she was a “serious” pianist and/or musician based on a spate of recent cancellations and a critic’s unfortunate comments about her attire at the Hollywood Bowl, let them be put to rest after this … Continue reading
I almost always go to classical music concerts because I feel I must see/hear something on the program: a certain composer or his work, a soloist, maybe even a conductor. Other times it’s because I’m curious about a world premiere of a new work or a performer I’ve never heard before. This past Sunday at … Continue reading
“Let’s rrrrock this place.” Gustavo Dudamel wasn’t talking about the Prokofiev 5th Symphony when he made that comment from the stage at Walt Disney Concert Hall, but he could have been. In fact, he should have been. On a Friday night when the performance of a newly commisioned work for electric cello should have provided … Continue reading
For those of us unable to make the LA Phil’s all Gershwin gala last Tuesday, I thought I’d share this video clip of that night’s guest Principal Trumpet, Thomas Hooten, playing one of the famous solos from An American in Paris. (LINK TO THE VIDEO) Oh, wait . . . you wanted something different, perhaps … Continue reading
There is a point in the last movement of Berlioz’s Symphonie fantastique when funeral bells loudly toll and announce the beginning of a dance of witches. The ominous three note sequence repeats — forte, then piano — and continues on as the tubas begin playing the Dies Irae from the old Roman Catholic mass for … Continue reading
The Los Angeles Philharmonic is getting ready to kick-off their 2011/2012 winter season with an all-Gershwin gala this evening. Gustavo Dudamel will be conducting Cuban Overture, An American in Paris, and Rhapsody in Blue with the 71-year-young Herbie Hancock serving as the distinguished soloist. (If you can’t make it to Walt Disney Concert Hall tonight, … Continue reading
