The Los Angeles Philharmonic has made some rather impressive hires during the Gustavo Dudamel era, but perhaps none more intriguing than the three stellar principal woodwinds. They’re tough to miss, both because they sit dead-center in the orchestra and, more importantly, because their playing is impeccable. They also share a notable line-item on their curriculum … Continue reading
Michele Zukovsky, Principal Clarinet of the Los Angeles Philharmonic, wraps up her amazing 54-year tenure with the orchestra in an all-Rachmaninoff concert today at 2pm; Cristian Măcelaru conducts. Below is the second part of my interview with her (Part 1 is HERE). In it, we chat about her switch from a French clarinet to a German one, some observations about conductors … Continue reading
On first impression, Michele Zukovsky might not strike you as anyone particularly notable other than being a fairly energetic, witty, and self-deprecating 70-something. That seems to suit her just fine. Rather than talk about herself or her career, the Los Angeles Philharmonic’s Principal Clarinet is more eager to share photos of herself as a proud grand-aunt, crawling … Continue reading
Some good news for all of you fans of Michele Zukovsky: I received official confirmation on when the tenure of the Los Angeles Philharmonic’s Principal Clarinet will end, and it’s a little later than was originally thought. Her official retirement date will be December 31, 2015, with her final concert less than two weeks before … Continue reading
This year’s Hollywood Bowl season is upon us. Things kicked-off a few weeks ago, care of Journey, Ed Sheeran, and a sing-along Sound of Music, among other concerts. The Los Angeles Philharmonic made their summer debut on the Bowl stage playing the score to Back to the Future while the film was shown above their heads, though the … Continue reading
The first time the Los Angeles Philharmonic held auditions to fill its Associate Principal Clarinet chair, no one was hired. During the past week, they tried again, and this time it looks like they made an offer — and it’s a doozy. No official word from the orchestra, but according to numerous sources, Burt Hara, … Continue reading
Zubin Mehta: the man, the myth, the legend. While I’ve had a chance to see the other three conductors profiled in this series fairly early in their relationship with the Los Angeles Philharmonic, I was not around to see any of Mr. Mehta’s concerts as Music Director, let alone the ones early in his career. … Continue reading
When Esa-Pekka Salonen comes back to conduct the Los Angeles Philharmonic, you expect finely polished performances of complex programs. In two weekends of concerts earlier this month, that’s exactly what you got and then some. E-P was in town to help the orchestra celebrate Lutosławski’s centenary, with both sets of programs featuring major works by the … Continue reading
Clearly, Mahler was a guy who liked to think and compose about death. Musical allusions to it show up in all of his works being performed as part of the Los Angeles Philharmonic’s “Mahler Project” (some may quibble about Songs of the Wayfarer, but if you’re singing about putting a red-hot knife in your breast, … Continue reading
The Los Angeles Philharmonic’s all-Gershwin season opening gala may have occured many months ago, but PBS’s “Great Performances” is only now getting around to broadcasting the video from the concert — most of it, anyway. Better late (and abridged) than never. The first broadcast is this evening at 6pm Pacific Time (on KPBS and PBS … Continue reading
For those of us unable to make the LA Phil’s all Gershwin gala last Tuesday, I thought I’d share this video clip of that night’s guest Principal Trumpet, Thomas Hooten, playing one of the famous solos from An American in Paris. (LINK TO THE VIDEO) Oh, wait . . . you wanted something different, perhaps … Continue reading
There is a point in the last movement of Berlioz’s Symphonie fantastique when funeral bells loudly toll and announce the beginning of a dance of witches. The ominous three note sequence repeats — forte, then piano — and continues on as the tubas begin playing the Dies Irae from the old Roman Catholic mass for … Continue reading
All is Yar 