If I were to look up “diva” in the dictionary, I’d half expect to see one of the definitions — maybe THE definition — to be “Floria Tosca.” The character after which Puccini named his famous opera has all the attributes that would come to mind when I think of a diva: petulant but passionate, … Continue reading
For your viewing pleasure, I’ve assembled various production and behind the scenes pictures from Los Angeles Opera’s current version of Puccini’s Tosca. Photo credits include Robert Millard, Los Angeles Opera’s website and Facebook page, Lawrence K. Ho of the Los Angeles Times, and Brian Lauritzen. In addition, click HERE for sketches drawn by Mike Sheehan … Continue reading
Los Angeles Opera’s final production of the year, Puccini’s Tosca, opens this Saturday. Sondra Radvanovsky sings the title role, joined by Marco Berti as Cavaradossi and Lado Ataneli as uber-villain, Scarpia. Plácido Domingo, LA Opera’s own resident impressario-cum-tenor-cum-baritone-cum-conductor, wields the baton for all performances but one. The final dress rehearsal will be tonight, and once again, I’ll … Continue reading
Full disclosure: Madame Butterfly is not one of my favorite operas. I understand its popularity and appreciate its usual appeal to most of its fans (sweeping melodies, exotic locales, an easy-to-feel-sorry-for heroine, etc.), but no matter how many chances I give it, I’m never drawn into the music or the drama. Count me in the … Continue reading
Giacomo Puccini’s La Bohème is as popular and reliable a seat-filler as you can get in opera. In Southern California alone, it has been programmed by both the Pacific Symphony and Los Angeles Opera within weeks of each other this spring. It shows up so often that opera-going veterans see La Bohème on the calendar and grumble and moan … Continue reading
All is Yar 