Over the past couple of years, my euphoria about the bad-assness of the three current brass principals of the Los Angeles Philharmonic — Andrew Bain (horn), Tom Hooten (trumpet), and Nitzan Haroz (trombone) — has been somewhat tempered by a fear that, for one reason or another, the trio might not stick together very long.
That fear is sadly turning out to be well founded. A few weeks ago, the Philadelphia Orchestra held auditions for a new Principal Trombone to fill the vacancy created when Mr. Haroz moved to LA in 2012. According to The Philadelphia Inquirer, the winner of the audition was none other than . . .
Nitzan Haroz. Seriously. (sigh)
Word on the streets of both LA and Philly is that his interest in moving back is being driven by family reasons, not about any dissatisfaction with the LA Phil or Southern California.
Mr. Haroz has not yet officially accepted his new/old position. He told the Inquirer, “I haven’t started negotiating yet. It will happen soon I assume.” In the meantime, he continues to play with the LA Phil. Most of the remaining repertoire this season is not exactly trombone heavy, but if you get the chance, go see him in Walt Disney Concert Hall while you still can.
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In contrast to that potential (and very likely) departure, there is one potential addition to the LA Phil brass section: Canadian Stéphane Beaulac, currently Solo Trumpet of Montreal’s Orchestre Métropolitain, was the only one of the finalists from the recent audition for the LA Phil’s Third Trumpet chair to be offered a trial week with the orchestra.
Among Mr. Beaulac’s notable mentors is Jens Lindemann, former trumpeter with the Canadian Brass and current UCLA professor (yes, believe it or not, I just gave a shout-out to a Bruin).
He’ll get his chance to strut his stuff with the LA Phil during this coming summer’s Hollywood Bowl season. No confirmation on exactly when it’ll be, but expect it to be in the end of July while Music Director Gustavo Dudamel is in town.
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There’s lots of news coming out of Chicago too. Steven Williamson is returning to his Chicago Symphony Principal Clarinet chair after wrapping up a year with the New York Philharmonic, so the folks in the Windy City thought they were getting back some stability in the CSO’s woodwind section: Turns out . . . not so much.
Now they have to replace two other players:
- Mathieu Dufour, Principal Flute of the Chicago Symphony and erstwhile Principal Flute of the LA Phil, was offered the same position with the Berlin Philharmonic. Like Mr. Haroz, the esteemed flutist has yet to accept the offer.
- This comes on the heels of the announcement earlier this week by David McGill, Chicago’s highly regarded Principal Bassoon and former Principal of the Cleveland Orchestra, that he will be leaving the CSO to take a full-time teaching position at Northwestern University.
On top of that, Riccardo Muti et al still have to find a new Principal Horn to fill the spot being vacated by Dale Clevenger.
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Speaking of the New York Philharmonic clarinet job and guys named McGill . . .
Anthony McGill, one of the two Principal Clarinets of the Metropolitan Opera Orchestra (and, um, no relation to the bassoonist with the same last name), will move across the Lincoln Center plaza in September to join the NY Phil. This is the third attempt that Alan Gilbert’s crew has made to fill the shoes of Stanley Drucker, the 60+ year veteran who retired a few years ago: before Mr. Williamson’s stint, Ricardo Morales of the Philadelphia Orchestra was slated to take over the chair but changed his mind before officially moving to New York.
Given the labor strife looming over the MET, this move is no big shock. In fact, the new Principal Bass in Avery Fisher Hall — Timothy Cobb — just came from the MET and starts his new gig today. On top of that, Mr. Williamson himself is a former MET Principal.
The NY Phil has other big jobs that need to be filled: Principal Second Violin, Principal Trumpet, and most notably, Concertmaster.
Let’s see what happens . . .
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Photo credits:
- Nitzan Haroz: photo by Linnea Lenkus
- Mathieu Dufour: courtesy of Yamaha
- Stéphane Beaulac: courtesy of ATMA Classique
- David McGill: photo by Todd Rosenberg Photography, courtesy of the Chicago Symphony
- Anthony McGill: photo by David Finlayson
The LA Phi has auditions set for Sept/October 2014 for principal trombone, definitely confirming Nitzan’s departure.
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Yeah, I saw thought. A huge bummer, but not a surprise at this point. FWIW: Mr. Haroz has still been playing with the LA Phil so far this summer, and is still listed on the roster. Not sure when his stint here officially ends — if/when I find out and can share, I’ll let everyone know.
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With the Phil’s fiscal year ending September 30, I would guess that that date may have a bearing on all contracts – not sure, however.
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I’d be very surprised if he plays a concert at the Bowl in September.
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Agreed – He needs to get back to Philly, establish residency, etc. Can’t imagine the Phil would want to have him around, especially with his lame duck status with the orchestra. Negotiate something where both sides win.
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And what do you think can be negotiated that would constitute a “win” for the orchestra when one of its most outstanding principal players is leaving while in his absolute prime? Just wondering.
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