Do you have one of those friends that are good at seemingly everything they do? You might already know that they’re like that, but when you see them in action you always have to shake your head in surprise and admiration. Jeffrey Kahane and the Los Angeles Chamber Orchestra are like that. They kicked off … Continue reading
Author Archives: CK Dexter Haven
Make mine a double: season opener by Dudamel and the LA Phil was so awesome, I had to see and hear it twice
Gustavo Dudamel and the Los Angeles Philharmonic opened their 2012/2013 season with a contemplative work by Ravel, a world premiere by Steven Stucky, and Stravinsky’s Le Sacre du printemps (The Rite of Spring). In other words, it was Retro Week at Walt Disney Concert Hall. This is exactly the kind of program which the orchestra … Continue reading
A leisurely chat with cellist Daniel Rothmuller (part 2 of 2): the LA Phil’s former Associate Principal shares his stories, opinions, and post-retirement plans
Continuing the interview with Daniel Rothmuller, recently retired Associate Principal Cello of the Los Angeles Philharmonic: In the first part of the interview (HERE), Mr. Rothmuller and I chatted about his influences as a newcomer to the LA Phil, as well as stories and opinions about various conductors – especially Carlo Maria Giulini – and … Continue reading
A leisurely chat with cellist Daniel Rothmuller (part 1 of 2): the LA Phil’s former Associate Principal shares his stories, opinions, and post-retirement plans
If you’ve followed the Los Angeles Philharmonic at all during the past 40+ years, you’ve undoubtably seen Daniel Rothmuller. He’s a tough guy to miss. In concerts, not only did his role of Associate Principal Cello put him at the front of the stage, he had the habit of being the only gentleman to liven-up … Continue reading
An old-school Don Giovanni: Ildebrando D’Arcangelo stars in LA Opera’s latest production
Last May, the Los Angeles Philharmonic presented Don Giovanni with a vocally and visually strong baritone leading a solid cast in a thoroughly avant-garde production. Beginning tonight, Los Angeles Opera presents the same opera, with another hunky baritone leading a another solid cast, this time in an unapologetically traditional production. Judging by Wednesday’s final dress … Continue reading
Back so soon? Live tweeting Don Giovanni at LA Opera tonight
Opening night for Los Angeles Opera’s latest production of Don Giovanni isn’t until this coming Saturday, Sept 22nd, but I’ll be back at the Dorothy Chandler Pavilion tonight, live tweeting the final dress rehearsal. Unlike last Saturday’s gala opening of I Due Foscari (The Two Foscari), this time I’ll be in the front of the … Continue reading
A peek behind the scenes of LA Opera’s glamorous opening night of “I Due Foscari”
Here are some pictures from me and others from last night’s season opening performance of Verdi’s I Due Foscari (The Two Foscari) at Los Angeles Opera starring Plácido Domingo. Continue reading
Tweeting live from backstage at tonight’s LA Opera season opener of “The Two Foscari” starring Plácido Domingo
Tonight marks the opening of Los Angeles Opera’s 2012/2013 season with a new production of Verdi’s rarely performed I Due Foscari (The Two Foscari). Plácido Domingo takes on the role of Francesco Foscari, his latest foray into the baritone repertoire and 140th role overall (give or take) in his illustrious career. I’ll be there tonight, … Continue reading
They are the knights who say Niehaus: Milwaukee Symphony names Principal Trumpet as new President & Executive Director
Finally, some good news on the orchestral administrative front. The Milwaukee Symphony offered up a one-two punch with their press release today, announcing not only a balanced budget but also the appointment of Principal Trumpet Mark Niehaus as the MSO’s new President and Executive Director. According to the MSO: Continue reading
Youth is served: Krzysztof Urbański and Denis Matsuev make their LA Phil debuts
The Hollywood Bowl is often a place for conductors and soloists to make their Los Angeles Philharmonic debuts. It’s a bit of trial by fire — if you can make a strong impression under the duress of limited rehearsal time and less-than-ideal performing conditions, then you might get invited for a gig downtown for the … Continue reading
“The Doge of Los Angeles:” Plácido Domingo is feted at LA Opera presser
Wednesday’s Los Angeles Opera press conference centered around celebrating Plácido Domingo. Board members and politicians were on hand to offer their praises, stories, and tokens of appreciation to the organization’s General Director and probably the world’s most famous living opera singer. The reason for this latest round of adulation? Three things: Continue reading
Shamelessly enjoying “Carmina Burana” at the Hollywood Bowl
Classical music, like life in general, abounds in so-called guilty pleasures. You know, the kind of stuff that you may not admit to friends that you like, but in the privacy of your own iPod earbuds, you relish with abandon. Warsaw Concerto is one for me. Carmina Burana is another one. Not a whole lot … Continue reading
Four hands and a voice: Southwest Chamber Music’s final 2012 summer concert
The final concert of Southwest Chamber Music’s 2012 summer season at The Huntington proved to be a popular ending to what has been a popular series. Attendance on the Logia was overflowing to the point where an extra row of seating was hastily added right as the concert was about to begin. As with the … Continue reading
Tonight’s Hollywood Bowl wines
For tonight’s concert of incidental music from A Midsummer Night’s Dream by Mendelssohn and Orff’s Carmina Burana, I decided to bring along a couple of 2004 wines: a Late Disgorged Brut from Domaine Carneros and a Ridge Lytton Springs. Both are drinking damn well. No matter how many times I drink “older” Lytton Springs, I … Continue reading
All is Yar gets a little love from the Los Angeles Times
Back in May of this year, I had the good fortune to be able to attend the world premiere performance of John Adams’ new oratorio, The Gospel According to the Other Mary. In addition to posting a review of that concert, I posted some pre-concert musings on the new work’s title and the identity of the … Continue reading