Mrs. CKDH had asked for some Pinot Noir to go with the Mardi Gras meal she was preparing, so I poked around the wine “cellar” (read as “dedicated closet for wine in our garage”) to see what I could find. I was surprised to find a bottle of 2005 Cambria “Julia’s Vineyard” in amongst the … Continue reading
I’m headed back to the Dorothy Chandler Pavilion tonight to tweet-up Los Angeles Opera’s production of Benjamin Britten’s comedy, Albert Herring. Things are pretty much the same as they were for Simon Boccanegra, except for two notable differences: The evening begins with a back stage, behind-the-scenes tour Photography will no longer be permitted The hashtag for … Continue reading
Last Friday, Riccardo Muti and the Chicago Symphony made their long-awaited visit to the Southland with a one-night stop at Segerstrom Concert Hall in Costa Mesa. The whole affair had a “take it or leave it” feel, beginning with the curiously obscure program of works by Honegger, Mason Bates, and Franck, and ending with Mr. … Continue reading
If I were to look at a random cross-section of my favorite bits of music across genres, much of it — mazurkas by Chopin, Le Sacre du Printemps, New Order 12″ remixes, even the cheeky Party Rock Anthem by LMFAO — is inherently dance music. Baroque music in particular is riddled with dance-based themes. A … Continue reading
Tonight, the Chicago Symphony arrives in Southern California after too long an absence. The antici . . . pation is finally coming to an end. You’ve downloaded your free MP3 of Franck’s Symphony in d minor, listened to it intently, and now you’re ready for the real thing. A few last minute bits of fun: Continue reading
Grant Gershon and the Los Angeles Master Chorale have spent the better part of a month helping the Los Angeles Philharmonic with their Mahler Project. With their Disney Hall roommates moving on to Venezuela for the rest of the “Project,” conductor and chorus have collectively moved on in their own way without having to leave … Continue reading
Los Angeles Opera’s production of Verdi’s Simon Boccanegra opens today, with Placido Domingo in the title role of pirate turned Doge of Genoa. As previously mentioned, I was offered one of LA Opera’s inaugural “tweet seats” for last Wednesday’s final dress rehearsal. Normally, I wouldn’t be writing about a rehearsal at all, let alone doing … Continue reading
The mighty Chicago Symphony Orchestra is coming to California next week, their first West Coast visit in decades. The impetus for their visit is to help the San Francisco Symphony celebrate their centennial, and since they made it this far, they’re making additional stops in Costa Mesa, Palm Desert, and San Diego. The CSO Brass … Continue reading
In about two-and-a-half hours, I’ll be sitting in the Loge section of the Dorothy Chandler Pavilion watching the final Los Angeles Opera dress rehearsal of Simon Boccanegra, sharing my thoughts in real time with the world, 140 characters at a time. The easiest way to follow along is to go to my twitter page: https://twitter.com/#!/MrCKDH … Continue reading
I recently finished jury duty, and I’ve been in a bit of a jurisprudential kinda mood ever since. Given all of the recent brouhaha about SOPA (and yes, it was definitely a brouhaha — not a kerfuffle and much bigger than a hubbub), I’m a bit surprised that there hasn’t been more discussion in the classical … Continue reading
The symphony orchestras of both Chicago (HERE) and St. Louis (HERE) announced their respective 2012/2013 seasons. Each was interesting and noteworthy, but in very different ways. Continue reading
The Los Angeles Philharmonic announced their 2012/2013 season today. Details can be found HERE. I haven’t had the time to peruse it in detail yet, so the bulk of my commentary is forthcoming. I did notice that the first subscription concerts for the season include: Los Angeles Philharmonic Gustavo Dudamel, conductor Ravel Pavane pour une infante défunte … Continue reading
Clearly, Mahler was a guy who liked to think and compose about death. Musical allusions to it show up in all of his works being performed as part of the Los Angeles Philharmonic’s “Mahler Project” (some may quibble about Songs of the Wayfarer, but if you’re singing about putting a red-hot knife in your breast, … Continue reading
As I mentioned in late November 2011, Nitzan Haroz — Principal Trombone of the Philadelphia Orchestra — was offered the same job with the Los Angeles Philharmonic. A little over two months later, he decided to take it. Late yesterday, Peter Dobrin of the Philadelphia Inquirer reported that Mr. Haroz has officially accepted the position. … Continue reading
My guesses on what we’re looking at: The big sketch in the middle has got to be the stage with various characters (I count 5 on the stage). Behind and above them are two more figures, whom I think are some combination of Giovanni, the Commendatore, and/or the conductor. On the bottom right is likely … Continue reading
All is Yar 