Vassily Sinaisky is not exactly a household name, and until last night, I’d never seen him conduct. The Music Director and Chief Conductor of the Bolshoi Theatre certainly looks the way you’d imagine a maestro to look: tall(ish), sporting white tie and tails (no pajama jacket here), with wavy grey hair brushed up to maximum height. … Continue reading
A new composition for a new year. Seems rather poetic, doesn’t it? Often such gestures work better in concept than in practice, but thanks to Martin Grubinger‘s virtuoso performance of The Tears of Nature, Tan Dun’s new percussion concerto receiving its U.S. Premiere last Friday night care of the Los Angeles Philharmonic, this one worked … Continue reading
“Iconic” is a term that can get bandied about willy-nilly, especially when it comes to artists of the various genres of popular music. When it comes to the 1980’s 2-Tone ska movement, however, it is a word that justifiably applies to Dave Wakeling, leader of The English Beat. Together with Madness and The Specials, The … Continue reading
As we reach the end of December, it’s traditionally time for a retrospective look at the year that is just completed. Since 2012 was the first full calendar year of All is Yar‘s existence, it’s an especially important one for me. I’ve been fortunate — dare I say “blessed” — to have been able to … Continue reading
The Los Angeles Master Chorale’s December dance card was a bit more full than usual: two concerts of holiday carols, a straight-up performance of Handel’s Messiah, providing soloists for a Messiah sing-along, and an evening of Vivaldi and Bach that was titled, “Rejoice!” I only had the opportunity to attend the Vivaldi/Bach concert, and judging from … Continue reading
Zubin Mehta: the man, the myth, the legend. While I’ve had a chance to see the other three conductors profiled in this series fairly early in their relationship with the Los Angeles Philharmonic, I was not around to see any of Mr. Mehta’s concerts as Music Director, let alone the ones early in his career. … Continue reading
When Esa-Pekka Salonen comes back to conduct the Los Angeles Philharmonic, you expect finely polished performances of complex programs. In two weekends of concerts earlier this month, that’s exactly what you got and then some. E-P was in town to help the orchestra celebrate Lutosławski’s centenary, with both sets of programs featuring major works by the … Continue reading
Saturday night’s Los Angeles Chamber Orchestra concert featured a first half with a rustic sensibility and a second half with an urban vibe. Both halves were anchored by an American classic in a less-often heard rendition: The country mouse portion featured Dvořák’s Serenade for Winds paired Appalachian Spring Suite in Copland’s original 1944 version. After intermission, … Continue reading
The first time I learned about Lionel Bringuier was in November 2006. The late great Alan Rich wrote about how the powers-that-be at the Los Angeles Philharmonic at the time — among them, Esa-Pekka Salonen, Deborah Borda, orchestra musicians, and board members — were blown away by Mr. Bringuier and named him Assistant Conductor at … Continue reading
Based solely on what I saw and heard a couple of weeks ago, I’d guess that Vasily Petrenko and the Los Angeles Philharmonic have a good thing going. Throw in the fact that Rick Schultz said in the Los Angeles Times that Mr. Petrenko “made a deeply felt, unforgettable impression” at his January 2010 debut with … Continue reading
Despite my tardiness, I’ve still been wanting to write about last month’s Los Angeles Philharmonic performance of the Mahler 5th Symphony. Sure, at least three loyal readers have been prodding me in public and private to do so. On top of that, the concert featured Daniel Harding, a conductor who hasn’t made a visit to … Continue reading
Full disclosure: Madame Butterfly is not one of my favorite operas. I understand its popularity and appreciate its usual appeal to most of its fans (sweeping melodies, exotic locales, an easy-to-feel-sorry-for heroine, etc.), but no matter how many chances I give it, I’m never drawn into the music or the drama. Count me in the … Continue reading
On paper, Friday night’s Los Angeles Philharmonic concert seemed straightforward enough: a program filled with loads of well-known hum-along tunes, a beloved old-school conductor (Rafael Frühbeck de Burgos) on the podium, and a popular soloist (Lynn Harrell) joining in on the fun. In the concert hall, everything was generally as one would expect: the music … Continue reading
Esa-Pekka Salonen is certainly among the most popular of classical musicians world-wide, but here in Southern California, it’s on a slightly different level. You’d expect the current Conductor Laureate and former Music Director of the Los Angeles Philharmonic to have a strong following among the locals, and sure enough, he got a loud and prolonged … Continue reading
Continuing my efforts to clear my mental backlog of things I’ve wanted to write about during the past two weeks but couldn’t, below are my (slightly abridged) thoughts on three Los Angeles Philharmonic concerts from last week, specifically: Gustavo Dudamel’s multimedia concert featuring Ravel and Knussen The first Green Umbrella concert of the year, with … Continue reading
All is Yar 