The Pacific Symphony’s choice of Alexander Shelley as its next Music Director has been a solid so far. He has crafted compelling programs. He’s made concise yet informative pre-performance comments from the podium. And it doesn’t hurt that he’s young, dashing, personable, and therefore a marketing department’s dream. Most importantly, he’s shown the capacity for …
Quick, name a Handel oratorio besides Messiah. . . . Not that easy, is it? They aren’t exactly common fare, and I’m willing to bet that few of you would have come up with Jephtha, especially if Harry Christophers and the good folks at the Handel and Haydn Society (aka “H&H”) hadn’t decided to resurrect … Continue reading
The first time the Los Angeles Philharmonic held auditions to fill its Associate Principal Clarinet chair, no one was hired. During the past week, they tried again, and this time it looks like they made an offer — and it’s a doozy. No official word from the orchestra, but according to numerous sources, Burt Hara, … Continue reading
The New York Philharmonic is frequently called the country’s oldest orchestra . . . but it isn’t the country’s oldest continuously operating performing arts organization. The Handel and Haydn Society, Boston’s period instrument orchestra and chorus, was founded in 1815 — beating out the NY Phil by almost 30 years. Just to put that into … Continue reading
Saw links to the two videos below via Twitter earlier today, and I felt compelled to share both of them here. If they seem like an unlikely match — well, what can I say, I have diverse tastes in music. The first is Ligeti’s “Hungarian Rock (Chaconne),” originally written for harpsichord but arranged here for … Continue reading
A little over a week ago, David Robertson returned to the Los Angeles Philharmonic’s podium for the first time in over five years, and for the life of me, I have a hard time understanding why it’s taken so long. First and foremost, his broad repertoire featuring impeccable credentials in 20th and 21st Century music … Continue reading
Halfway through Los Angeles Opera’s current run of Rossini’s Cinderella (La Cenerentola), they introduced a new singer into the title role: Ketevan Kemoklidze, a winner of Plácido Domingo’s “Operalia” competition, made her company debut as she took over for Kate Lindsey this past Wednesday night. It’s never easy joining a cast in midstream, and still the … Continue reading
The Los Angeles Chamber Orchestra often plays larger symphonic works — and does so quite well — but one of the joys and privileges of having a standing chamber group like them is the chance to hear pieces written for small to medium-sized ensembles that a full-sized orchestra would not take on. Their most recent concerts … Continue reading
Interesting to find out about the latest iTunes release from the Los Angeles Philharmonic. They just recorded and released these two works a few years ago under Esa-Pekka Salonen for the same label, so it’s a bit of a surprise that they’d put them out again so soon. But then again, maybe not. As I … Continue reading
Last Friday, Carl St.Clair and the Pacific Symphony took on two seemingly disparate giants of the orchestral repertoire, Johann Sebastian Bach and Gustav Mahler. The program notes mentioned Mahler’s interest in Bach’s counterpoint during the time he wrote his Fifth Symphony, spurring the creation of some contrapuntal elements of the score. It made sense in … Continue reading
Los Angeles Opera’s latest production of Rossini’s Cinderella (La Cenerentola) which debuted this past Saturday has everything you’d want in a comic opera: an excellent cast that can sing and act well, a clever production, and a great sense of humor. The story might not be told exactly the way you know it — the evil step-mother … Continue reading
The Los Angeles Philharmonic is in the midst of the continental European leg of its tour to London, Lucerne, Paris, and New York. Reviews of concerts in London have been consistent in their high praise of the orchestra’s performance and sound in the fairly adventurous repertoire they have taken on the road. On balance, they … Continue reading
Good chemistry between a conductor and orchestra is a difficult thing to predict or explain, but as former Supreme Court Justice Potter Stewart might say, I know it when I see it. And I know I saw — and heard — it this past Monday night when David Robertson brought the St. Louis Symphony into … Continue reading
Just got the announcement from our friends at Southwest Chamber Music detailing the four concert Summer Season they’ll be offering at The Huntington. I like it. A nice mix of old and new, rare and familiar. Stravinsky under the stars? Check. Britten Anniversary? Check. Eine Kleine Nachtmusik? Check Works by living composers Oliver Knussen and … Continue reading
In an ideal world, I would have been able to see all four concerts that formed the “LA International New Music Festival 2013” presented by Southwest Chamber Music; alas, life often gets in the way. Thankfully, after multiple thwarted attempts to make my way out to The Colburn School for the festival, I was able … Continue reading
I was very happy to see this very promising information show up in my inbox this afternoon: The Los Angeles Master Chorale announced their 2013/2014 season, a year which celebrates a pair of anniversaries: 50 years since it’s founding by the legendary Roger Wagner as one of the Los Angeles Music Center’s resident companies. 10 … Continue reading
All is Yar 