When last I had the chance to talk to Jaime Martin, he was about to begin the 2019/2020 season, his first as Music Director of the Los Angeles Chamber Orchestra. That year started well, but then this thing called COVID-19 shook the world. Three years have passed since that last conversation. A few days ago, Mr. Martin … Continue reading
Last Thursday night, the Wallis Annenberg Center for the Performing Arts in Beverly Hills became the latest venue to re-open its doors to the public, ending 18 months of coronavirus-induced silence. Doing the honors was pianist Ory Shihor. The LA-based musician and educator was supposed to help The Wallis celebrate Beethoven’s 250th birthday year in … Continue reading
Gustavo Dudamel and the Los Angeles Philharmonic launched its 2021 Hollywood Bowl season last night with a free concert for frontline and essential workers, their first performance for a live audience in over 14 months. Those unable or unqualified to be one of the 4,000+ in attendance could enjoy a livestream of the program via … Continue reading
When the Los Angeles Master Chorale originally planned Beethoven’s Missa Solemnis for January of its 2016/17 season, the two performances, let alone the inauguration of a new President of the United States, were still more than a year away. There was no political statement, expressed or implied, in its scheduling, no inherent message of defiance or rebellion in its libretto. … Continue reading
Michele Zukovsky, Principal Clarinet of the Los Angeles Philharmonic, wraps up her amazing 54-year tenure with the orchestra in an all-Rachmaninoff concert today at 2pm; Cristian Măcelaru conducts. Below is the second part of my interview with her (Part 1 is HERE). In it, we chat about her switch from a French clarinet to a German one, some observations about conductors … Continue reading
The Los Angeles Chamber Orchestra and their Music Director, Jeffrey Kahane, recently launched their penultimate season together in familiar fashion: offering works by living composers on the same program as old masters. It’s a very welcome habit that once again proved to be quite fruitful. The first half of this inaugural program of their 2015-16 season especially … Continue reading
If you had to pick nine symphonies — no more, no less — by different composers to include as part of a proverbial desert island survival kit, what would they be? I asked myself this question just for grins over the recent Christmas & New Year’s break. Nine has been a magical number of sorts for … Continue reading
We in Southern California are so spoiled. We’ve got amazing weather and a diverse geography with which to enjoy it; where else can you spend a couple of hours surfing in the morning and be snow skiing by lunchtime? We’ve got Vin Scully, two Stanley Cups in three years, and two solid college football teams 13 … Continue reading
The Los Angeles Chamber Orchestra and their Music Director, Jeffrey Kahane, can almost always be counted on to present compelling programming, interesting soloists, and thoughtful interpretations. For their 2014-15 season opener, Mr. Kahane and the orchestra rolled out more of the same, care of a new work by Cameron Patrick, an infrequently-heard bit of piano concerto sass … Continue reading
Kudos and endless gratitude to Tim Mangan for originally finding and sharing this blast from the past: Carlo Maria Giulini rehearsing the opening of Beethoven’s 9th Symphony with the Los Angeles Philharmonic at the Dorothy Chandler Pavilion. According to the voice over at the beginning of the video, this was filmed during one of ten(!) … Continue reading
(Publisher’s note. I’m thrilled to introduce the first-ever guest writer on All is Yar: Fiona Bryan. Fiona has a BM & MM in Violin Performance from Blair School of Music at Vanderbilt University and University of Missouri, respectively, and has performed in various orchestras across the country. More recently, she’s been working in marketing, PR, and … Continue reading
When the Piatigorsky International Cello Festival was in town last year, I managed to catch two of the three concerto performances that different soloists were performing with the Los Angeles Philharmonic. The one I soloist I missed: Alisa Weilerstein. At the time, someone told me I had made a mistake. Judging by the strength of … Continue reading
Just to prove to myself that I could summarize into three bullet points my thoughts on last Thursday’s Los Angeles Philharmonic concert: Emanuel Ax played Mozart’s Piano Concerto No. 25: Spectacular. Flawless. Brilliant. Dare I say, “Perfect.” Conductor Ludovic Morlot: Solid in Dutilleux’s The Shadows of Time and Beethoven’s 5th Symphony. The orchestra: Very good the whole night. There, I … Continue reading
When Esa-Pekka Salonen comes back to conduct the Los Angeles Philharmonic, you expect finely polished performances of complex programs. In two weekends of concerts earlier this month, that’s exactly what you got and then some. E-P was in town to help the orchestra celebrate Lutosławski’s centenary, with both sets of programs featuring major works by the … Continue reading
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading
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