Gustavo Dudamel has been in charge of the Los Angeles Philharmonic for a decade now, and so we should be able to easily answer the question: what can we — should we — expect from one of their concerts together? And there’s the rub. There is no easy answer that doesn’t sound like a generic … Continue reading
[Publisher’s note: Writer and violinist Fiona Bryan has been a regular contributor to All is Yar, and I’m very happy to welcome her back again for this concert review] The Los Angeles Philharmonic and Music Director Gustavo Dudamel kicked off the 2016/17 season on Tuesday evening with an opening night concert and gala titled “Gershwin and The Jazz … Continue reading
I watched the Dodgers win a playoff game two nights ago. This is notable not so much for the Blue Crew’s victory but rather because of the fact that I actually watched it. Due to a combination of obstinacy and greed from Time-Warner cable, roughly 75% of Dodger fans can’t watch the team’s games. Normally such a … Continue reading
The London Symphony, 111-year old bastion of UK musical institutions famed for its virtuosity and flexibility, is an orchestra in transition. The peripatetic Valery Gergiev remains its official Principal Conductor through the end of this year, but the LSO created a big splash earlier this month when it announced that Simon Rattle will become its Music … Continue reading
George Gershwin is one of my favorite composers, easily in my top three if not my absolute favorite of all time. His classical music compositions, harmonically and rhythmically complex yet thoroughly lyrical and organic-sounding, were so inimitable and uniquely formed that both Maurice Ravel and Arnold Schoenberg refused to give him composition lessons on … Continue reading
Saturday night’s Los Angeles Chamber Orchestra concert featured a first half with a rustic sensibility and a second half with an urban vibe. Both halves were anchored by an American classic in a less-often heard rendition: The country mouse portion featured Dvořák’s Serenade for Winds paired Appalachian Spring Suite in Copland’s original 1944 version. After intermission, … Continue reading
When it comes to standard musical fare at the Hollywood Bowl, it’s tough to come up with two composers more iconic than George Gershwin and Leonard Bernstein. Besides having their music performed pretty much every summer in the Cahuenga Pass, the two Americans have other close ties to the Bowl: The 1937 memorial concert commemorating … Continue reading
The Los Angeles Philharmonic’s all-Gershwin season opening gala may have occured many months ago, but PBS’s “Great Performances” is only now getting around to broadcasting the video from the concert — most of it, anyway. Better late (and abridged) than never. The first broadcast is this evening at 6pm Pacific Time (on KPBS and PBS … Continue reading
For those of us unable to make the LA Phil’s all Gershwin gala last Tuesday, I thought I’d share this video clip of that night’s guest Principal Trumpet, Thomas Hooten, playing one of the famous solos from An American in Paris. (LINK TO THE VIDEO) Oh, wait . . . you wanted something different, perhaps … Continue reading
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