I watched the Dodgers win a playoff game two nights ago. This is notable not so much for the Blue Crew’s victory but rather because of the fact that I actually watched it. Due to a combination of obstinacy and greed from Time-Warner cable, roughly 75% of Dodger fans can’t watch the team’s games. Normally such a … Continue reading
If you had to pick nine symphonies — no more, no less — by different composers to include as part of a proverbial desert island survival kit, what would they be? I asked myself this question just for grins over the recent Christmas & New Year’s break. Nine has been a magical number of sorts for … Continue reading
A little bit of Esa-Pekka Salonen is better than none at all. And so it turned out this past week with the Los Angeles Philharmonic. The original plan was that the orchestra’s beloved Conductor Laureate was supposed to be at the Hollywood Bowl for two concerts, beginning Tuesday night when he and pianist Yefim Bronfman (long-time … Continue reading
When the Piatigorsky International Cello Festival was in town last year, I managed to catch two of the three concerto performances that different soloists were performing with the Los Angeles Philharmonic. The one I soloist I missed: Alisa Weilerstein. At the time, someone told me I had made a mistake. Judging by the strength of … Continue reading
The Hollywood Bowl is often a place for conductors and soloists to make their Los Angeles Philharmonic debuts. It’s a bit of trial by fire — if you can make a strong impression under the duress of limited rehearsal time and less-than-ideal performing conditions, then you might get invited for a gig downtown for the … Continue reading
Brian Lauritzen — radio personality extraordinaire, under-appreciated cellist, and friend of All is Yar — is known primarily for his smooth, easy-going voice on Classical KUSC (that’d be 91.5FM for all of you who still listen to terrestrial radio in Southern California), as well as podcasts for the Los Angeles Chamber Orchestra, Los Angeles Opera, … Continue reading
Esa-Pekka Salonen was back for his second week with the Los Angeles Philharmonic. With a world premiere of the abandoned opera, Orango, paired with the withdrawn-for-25-years Symphony No. 4, his all-Shostakovich concerts were a study of two contrasting works that had both been hidden and eventually brought to new light. To add to the lost-and-found theme, E-P himself … Continue reading
All is Yar 