Grant Gershon and the Los Angeles Master Chorale have spent the better part of a month helping the Los Angeles Philharmonic with their Mahler Project. With their Disney Hall roommates moving on to Venezuela for the rest of the “Project,” conductor and chorus have collectively moved on in their own way without having to leave … Continue reading
Los Angeles Opera’s production of Verdi’s Simon Boccanegra opens today, with Placido Domingo in the title role of pirate turned Doge of Genoa. As previously mentioned, I was offered one of LA Opera’s inaugural “tweet seats” for last Wednesday’s final dress rehearsal. Normally, I wouldn’t be writing about a rehearsal at all, let alone doing … Continue reading
Clearly, Mahler was a guy who liked to think and compose about death. Musical allusions to it show up in all of his works being performed as part of the Los Angeles Philharmonic’s “Mahler Project” (some may quibble about Songs of the Wayfarer, but if you’re singing about putting a red-hot knife in your breast, … Continue reading
“I always hated the Diabelli Variations,” writes Marino Formenti. Coming from any other pianist, this would sound like a confession. Marino Formenti is not “any other pianist.” The Italian-born musician only began studying Beethoven’s meandering piano work at the recent request of Dean Corey, President and Artistic Director of the Philharmonic Society of Orange County. … Continue reading
Esa-Pekka Salonen was back for his second week with the Los Angeles Philharmonic. With a world premiere of the abandoned opera, Orango, paired with the withdrawn-for-25-years Symphony No. 4, his all-Shostakovich concerts were a study of two contrasting works that had both been hidden and eventually brought to new light. To add to the lost-and-found theme, E-P himself … Continue reading
Esa-Pekka Salonen is back, and there is much rejoicing. All the Los Angeles Philharmonic’s Conductor Laureate had to do was merely walk on stage Sunday afternoon, and the applause was enthusiastic and loud cheers were already audible. He didn’t disappoint. The first series of his two week stint was vintage Salonen. Continue reading
On paper, Sunday afternoon’s concerts belonged to conductor Emmanuelle Haïm. The reality was that and much more. Ms. Haïm dominated the concert. Many musicians had solo turns of one sort or another, and two — oboist Ariana Ghez and recorder player (or is it recordist?) Rotem Gilbert — even played front and center. Yet when it was … Continue reading
As previously mentioned, I made a “game day decision” last Saturday night to see Bernard Haitink conduct the New York Philharmonic at Avery Fisher Hall. Note that I listed Mr. Haitink’s name first, then the orchestra, then the hall: chalk up the opportunity to see the legendary Dutch conductor in person for the first time … Continue reading
Yuja Wang is the real deal. If there was any doubt that might have crept in as to whether or not she was a “serious” pianist and/or musician based on a spate of recent cancellations and a critic’s unfortunate comments about her attire at the Hollywood Bowl, let them be put to rest after this … Continue reading
I almost always go to classical music concerts because I feel I must see/hear something on the program: a certain composer or his work, a soloist, maybe even a conductor. Other times it’s because I’m curious about a world premiere of a new work or a performer I’ve never heard before. This past Sunday at … Continue reading
“Let’s rrrrock this place.” Gustavo Dudamel wasn’t talking about the Prokofiev 5th Symphony when he made that comment from the stage at Walt Disney Concert Hall, but he could have been. In fact, he should have been. On a Friday night when the performance of a newly commisioned work for electric cello should have provided … Continue reading
There is a point in the last movement of Berlioz’s Symphonie fantastique when funeral bells loudly toll and announce the beginning of a dance of witches. The ominous three note sequence repeats — forte, then piano — and continues on as the tubas begin playing the Dies Irae from the old Roman Catholic mass for … Continue reading
School only started a few weeks ago, but the members of the Colburn School Conservatory’s flagship ensemble, The Colburn Orchestra, held their first concert of the year this past Saturday night. Yehuda Gilad, music director and wold-renowned clarinet pedagogue, led the first in a five concert series at the famed Ambassador Auditorium in Pasadena. Thanks … Continue reading
A near-capacity crowd filled the Hollywood Bowl to the brim this past Saturday night. Gustavo Dudamel was in the house, along with the Los Angeles Philharmonic and some other folks. But for once, the crowd was not really there to see The Dude. Sure, there were a few screams of “We love you, Gustavo!” but … Continue reading
All is Yar 