“I think that Debussy is, perhaps, the most important composer of this century. I also happen to think that today, the future of classical music has a lot to do with Debussy, Ravel, Stravinsky, and less to do with Schoenberg, Berg, and Webern. The relationship between Debussy and Stravinsky is particularly interesting. First of all, … Continue reading
The Los Angeles Philharmonic has begun presenting to local audiences the programs they will be taking on tour, all of which include music exclusively from the 20th and 21st Century. London, Lucerne, Paris, and New York get the two big programs: one featuring works by Vivier, Debussy, and Stravinsky; the other with John Adams’s massive oratorio, The … Continue reading
The folks at “Jacaranda, Music on the Edge” are on a bit of a roll. The seats at Santa Monica’s First Presbyterian Church (AKA “First Preb”) were almost all full and the crowd was enthusiastic. The program, billed as “Thresholds: The Scandals of 1912-13” was chock-a-block with works from the Second Viennese School; however, in … Continue reading
Gustavo Dudamel returned to the Los Angeles Philharmonic podium for the first time since October 14, 2012. Most of the next few weeks will be devoted to preparing programs for the orchestra’s upcoming tour to Europe and New York, but this past weekend’s concerts were not going to be played out of town. On paper, … Continue reading
Charles Dutoit’s annual visits to conduct the Los Angeles Philharmonic have become a highlight of every season, and his residency this year was more of the glorious same. Adding to the joy was the chance to see and hear him conduct something other than the FrancoRussian rut he has been in during the past seven … Continue reading
Just to prove to myself that I could summarize into three bullet points my thoughts on last Thursday’s Los Angeles Philharmonic concert: Emanuel Ax played Mozart’s Piano Concerto No. 25: Spectacular. Flawless. Brilliant. Dare I say, “Perfect.” Conductor Ludovic Morlot: Solid in Dutilleux’s The Shadows of Time and Beethoven’s 5th Symphony. The orchestra: Very good the whole night. There, I … Continue reading
Recently, whenever there has been an opening for a music directorship at an orchestra, Pablo Heras-Casado usually gets included in the list of candidates to be considered. The 30-something Spanish maestro has many admirers and proponents, and he gets his fair share of positive press. The New York Philharmonic just announced that he’ll be making … Continue reading
“As the human race evolves, we appreciate Bach more.” — Allan Vogel For this year’s rendition of its “Baroque Conversations” series, the Los Angeles Chamber Orchestra has decided to devote all five concerts this season to the music of Bach. Last Thursday’s series opener focused on his Trio Sonatas, with Allan Vogel, LACO’s renowned Principal … Continue reading
A few years ago, I was at Walt Disney Concert Hall to see James Conlon conduct the Los Angeles Philharmonic in a concert of works by Prokofiev. Sitting right in front of me were two gentleman, one older and the other younger, speaking a European language I did not recognize. Whatever they were saying, they … Continue reading
Vassily Sinaisky is not exactly a household name, and until last night, I’d never seen him conduct. The Music Director and Chief Conductor of the Bolshoi Theatre certainly looks the way you’d imagine a maestro to look: tall(ish), sporting white tie and tails (no pajama jacket here), with wavy grey hair brushed up to maximum height. … Continue reading
A new composition for a new year. Seems rather poetic, doesn’t it? Often such gestures work better in concept than in practice, but thanks to Martin Grubinger‘s virtuoso performance of The Tears of Nature, Tan Dun’s new percussion concerto receiving its U.S. Premiere last Friday night care of the Los Angeles Philharmonic, this one worked … Continue reading
“Iconic” is a term that can get bandied about willy-nilly, especially when it comes to artists of the various genres of popular music. When it comes to the 1980’s 2-Tone ska movement, however, it is a word that justifiably applies to Dave Wakeling, leader of The English Beat. Together with Madness and The Specials, The … Continue reading
As we reach the end of December, it’s traditionally time for a retrospective look at the year that is just completed. Since 2012 was the first full calendar year of All is Yar‘s existence, it’s an especially important one for me. I’ve been fortunate — dare I say “blessed” — to have been able to … Continue reading
The Los Angeles Master Chorale’s December dance card was a bit more full than usual: two concerts of holiday carols, a straight-up performance of Handel’s Messiah, providing soloists for a Messiah sing-along, and an evening of Vivaldi and Bach that was titled, “Rejoice!” I only had the opportunity to attend the Vivaldi/Bach concert, and judging from … Continue reading
Zubin Mehta: the man, the myth, the legend. While I’ve had a chance to see the other three conductors profiled in this series fairly early in their relationship with the Los Angeles Philharmonic, I was not around to see any of Mr. Mehta’s concerts as Music Director, let alone the ones early in his career. … Continue reading
All is Yar 