Yesterday, the good folks at the Los Angeles Philharmonic made public the plans for the upcoming 2014-15 season at Walt Disney Concert Hall (details available HERE). This comes on the heels of last week’s announcement of the coming 2014 summer season at the Hollywood Bowl (HERE are details of that). Unlike last year, there was … Continue reading
Christmas, Hanukkah, Winter Solstice, and Festivus — all of their latest editions are now a distant memory. Perhaps it passed by and you didn’t get the CD you had secretly hoped for. Or maybe you’ve got an Amazon gift card and you’ve decided that you should really stop accumulating novels about forlorn vampires that … Continue reading
The names on the program — Gustavo Dudamel, Yo-Yo Ma — were impressive, the kind that transcend classical music into the popular consciousness. The musical offering — Cage, Bach, Tchaikovsky, Adès, Mahler, Saint-Saëns — was noteworthy, both for its eclecticism and its ability to offer a diverse showcase for the Los Angeles Philharmonic and Walt … Continue reading
I was so enthralled by the Los Angeles Philharmonic’s production of The Marriage of Figaro that I wanted — needed — to see it again. So last night, I decided to Tivo the King’s playoff game and head back to Walt Disney Concert Hall for another go at it. Turned out to be the right … Continue reading
This past Friday night, the Los Angeles Philharmonic unveiled the latest foray into its three-year “Mozart/DaPonte Trilogy” project, the first ever performance (staged or otherwise) of The Marriage of Figaro in the orchestra’s history. It was glorious in every respect: visually striking, dramatically compelling, and musically excellent. Before a single note was played, one marveled at … Continue reading
Last night, I had the good fortune to be able to attend the first performance of the Los Angeles Philharmonic’s fully staged production of The Marriage of Figaro. It was, in a word, glorious. My full review can be found HERE. will be posted in the next day or so. In the meantime, please enjoy the … Continue reading
Interesting to find out about the latest iTunes release from the Los Angeles Philharmonic. They just recorded and released these two works a few years ago under Esa-Pekka Salonen for the same label, so it’s a bit of a surprise that they’d put them out again so soon. But then again, maybe not. As I … Continue reading
The Los Angeles Philharmonic has begun presenting to local audiences the programs they will be taking on tour, all of which include music exclusively from the 20th and 21st Century. London, Lucerne, Paris, and New York get the two big programs: one featuring works by Vivier, Debussy, and Stravinsky; the other with John Adams’s massive oratorio, The … Continue reading
Gustavo Dudamel returned to the Los Angeles Philharmonic podium for the first time since October 14, 2012. Most of the next few weeks will be devoted to preparing programs for the orchestra’s upcoming tour to Europe and New York, but this past weekend’s concerts were not going to be played out of town. On paper, … Continue reading
Continuing my efforts to clear my mental backlog of things I’ve wanted to write about during the past two weeks but couldn’t, below are my (slightly abridged) thoughts on three Los Angeles Philharmonic concerts from last week, specifically: Gustavo Dudamel’s multimedia concert featuring Ravel and Knussen The first Green Umbrella concert of the year, with … Continue reading
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading
Gustavo Dudamel and the Los Angeles Philharmonic opened their 2012/2013 season with a contemplative work by Ravel, a world premiere by Steven Stucky, and Stravinsky’s Le Sacre du printemps (The Rite of Spring). In other words, it was Retro Week at Walt Disney Concert Hall. This is exactly the kind of program which the orchestra … Continue reading
Tchaikovsky concerts at the Hollywood Bowl are common occurrences. Thursday night’s Los Angeles Philharmonic concert was pretty typical, with a program featuring a pair of frequently heard warhorses: the Piano Concerto No. 1 and the Symphony No. 4. Then again, in some ways, this wasn’t all that typical. There were no fireworks, no 1812 Overture, … Continue reading
For their season finale, the Los Angeles Philharmonic ordered up a world premiere of a major new work from John Adams, their Creative Chair and one of the most prominent American composers currently living. Once again, the orchestra was thinking big and taking risks. You’ve gotta appreciate their moxy. Audentes fortuna juvat — “Fortune favors the … Continue reading
It wasn’t supposed to be an all-Mozart program. What was originally announced as a Tchaikovsky/Sibelius program morphed a couple of times over the course of this season before landing on its final form. One of the subscribers wasn’t happy about all the repeated changes and made her opinion known during the “Casual Friday” post-concert Q&A. With … Continue reading
All is Yar 