Continuing my efforts to clear my mental backlog of things I’ve wanted to write about during the past two weeks but couldn’t, below are my (slightly abridged) thoughts on three Los Angeles Philharmonic concerts from last week, specifically: Gustavo Dudamel’s multimedia concert featuring Ravel and Knussen The first Green Umbrella concert of the year, with … Continue reading
It’s been an unexpectedly unruly past two weeks for yours truly. I squeezed in a few concerts at Walt Disney Concert Hall, but unfortunately didn’t have any capacity to do much of anything else, including write, until now. Time for me to start catching up. Before we get into my views of the performances, let’s … Continue reading
The Los Angeles Philharmonic’s second week of concerts in the 2012/2013 season was clearly meant to be a contrast from the first. After having regaled us all with a sparkling world premiere of Symphony by Steven Stucky and a romp through the modernist machinations of Stravinsky’s Le Sacre du Printemps (The Rite of Spring), Gustavo Dudamel decided … Continue reading
Gustavo Dudamel and the Los Angeles Philharmonic opened their 2012/2013 season with a contemplative work by Ravel, a world premiere by Steven Stucky, and Stravinsky’s Le Sacre du printemps (The Rite of Spring). In other words, it was Retro Week at Walt Disney Concert Hall. This is exactly the kind of program which the orchestra … Continue reading
Continuing the interview with Daniel Rothmuller, recently retired Associate Principal Cello of the Los Angeles Philharmonic: In the first part of the interview (HERE), Mr. Rothmuller and I chatted about his influences as a newcomer to the LA Phil, as well as stories and opinions about various conductors – especially Carlo Maria Giulini – and … Continue reading
If you’ve followed the Los Angeles Philharmonic at all during the past 40+ years, you’ve undoubtably seen Daniel Rothmuller. He’s a tough guy to miss. In concerts, not only did his role of Associate Principal Cello put him at the front of the stage, he had the habit of being the only gentleman to liven-up … Continue reading
The Hollywood Bowl is often a place for conductors and soloists to make their Los Angeles Philharmonic debuts. It’s a bit of trial by fire — if you can make a strong impression under the duress of limited rehearsal time and less-than-ideal performing conditions, then you might get invited for a gig downtown for the … Continue reading
Classical music, like life in general, abounds in so-called guilty pleasures. You know, the kind of stuff that you may not admit to friends that you like, but in the privacy of your own iPod earbuds, you relish with abandon. Warsaw Concerto is one for me. Carmina Burana is another one. Not a whole lot … Continue reading
Back in May of this year, I had the good fortune to be able to attend the world premiere performance of John Adams’ new oratorio, The Gospel According to the Other Mary. In addition to posting a review of that concert, I posted some pre-concert musings on the new work’s title and the identity of the … Continue reading
There’s lots going in this weekend. Pick something you like and go check it out. World premiere production of The Face The world premiere staged performance of Donald Crockett’s new chamber orchestra, The Face, is tonight at 8pm at the Aratani/Japan America Theater in the Little Tokyo neighborhood of downtown Los Angeles. Subsequent performances will be … Continue reading
You hear of a night of Haydn conducted by the ever-sunny Nicholas McGegan, and you probably think, “That’s nice.” You notice that the Haydn Trumpet Concerto will be the centerpiece of the evening and you might say, “Hmmm, haven’t heard that performed in a while.” You realize that Alison Balsom is the trumpet soloist, … Continue reading
Just to show that good things can actually happen to good people, music critic Timothy Mangan will once again be the classical music critic of The Orange County Register. According to his blog, Classical Life, Tim’s new/old job was definitely — if not yet publicly — confirmed by the newspaper’s new regime. No word … Continue reading
Tchaikovsky concerts at the Hollywood Bowl are common occurrences. Thursday night’s Los Angeles Philharmonic concert was pretty typical, with a program featuring a pair of frequently heard warhorses: the Piano Concerto No. 1 and the Symphony No. 4. Then again, in some ways, this wasn’t all that typical. There were no fireworks, no 1812 Overture, … Continue reading
Different people have different habits, especially when it comes to how you like to consume information. Some of you like to watch Olympic coverage in real time online or read about the results on ESPN or Twitter immediately after gold medals are handed out, while others prefer to sit through NBC’s tape-delayed faux-suspense-laden Olympic coverage … Continue reading
I have more than a few things to say about last Tuesday’s Los Angeles Philharmonic concert at the Hollywood Bowl, as usual. But let’s get one thing out of the way, shall we? Yefim Bronfman is a bad-ass. Ok, perhaps this is old news, but even if that’s the case, it’s worth repeating. So many … Continue reading
All is Yar 