Los Angeles Opera and Plácido Domingo, their General Director, issued a press release last week announcing details of their 2018/19 (full details are below). In short, here’s what we’ve got to look forward to: Mainstage (Dorothy Chandler Pavilion) Six performances each of: Don Carlo (Verdi): September 22 through October 14, 2018; revival. James Conlon conducts. Ramón Vargas (Don … Continue reading
Folks, I’m generally an optimistic, positive-thinking kinda guy. I try to find the bright side of things and give people the benefit of the doubt, even when most others wouldn’t dream of it. So leave it to our good friends at Los Angeles Opera to test my ability to maintain a stiff upper lip and keep … Continue reading
The other shoe has dropped. Having already mentioned that Gluck’s Orpheus and Eurydice will be on the 2017/18 season docket, Los Angeles Opera announced the rest of next season’s schedule earlier this evening. As with the LACO 207/18 season announcement, I’ll give my $0.02 later this week. In the meantime, here are some noteworthy tidbits: Continue reading
Los Angeles Opera announced today that Plácido Domingo will continue on as General Director through at least the end of the 2021/22 season. He has held the title since 2003. (The complete press release is below) The tenor/baritone cum conductor cum impresario has a long and storied history with the company, going back to 1984 … Continue reading
The good folks at Los Angeles Opera just announced their 2016/17 season (at the slightly curious time of 9pm-ish Pacific Time, midnight-ish Eastern, but no matter). There are six mainstage productions, one semi-staged musical, three “Off Grand” productions, plus the regular community performances of Britten’s Noah’s Flood. First, the details, with my general observations on the season … Continue reading
It’s quite been quite a week for Southern California opera fans: Los Angeles Opera just finished a three-show run of André Previn’s A Streetcar Named Desire starring soprano Renée Fleming as Blanche DuBois, a role she created in the original 1998 production for San Francisco Opera. Reviews have been mostly positive: Timothy Mangan (Los Angeles Register) generally liked it despite some … Continue reading
Los Angeles Opera announced their 2014/2015 season today. After browsing the press release (seen in its entirety below), here are my top of mind thoughts and observations: A little surprised that the number of main stage productions is still at six (well, seven productions if you count the double bill as two separate operas). That … Continue reading
The mood at Los Angeles Opera leading up to the beginning of this new season has been thoroughly buoyant, the result of a confluence of good news: After successfully dealing with a pulmonary embolism that kept him off stages and podiums all over the world, Plácido Domingo — the company’s General Director, überbaritenor, and part-time conductor — triumphantly returned to … Continue reading
Yesterday afternoon, the good folks at Los Angeles Opera opened up their doors to the media for a behind-the-scenes peek at preparations for their season opening production of Bizet’s Carmen. Christopher Koelsch (President and CEO) gave a brief welcome before Rupert Hemmings (Senior Director, Production) led us onto the stage of the Dorothy Chandler Pavilion … Continue reading
If I were to look up “diva” in the dictionary, I’d half expect to see one of the definitions — maybe THE definition — to be “Floria Tosca.” The character after which Puccini named his famous opera has all the attributes that would come to mind when I think of a diva: petulant but passionate, … Continue reading
For your viewing pleasure, I’ve assembled various production and behind the scenes pictures from Los Angeles Opera’s current version of Puccini’s Tosca. Photo credits include Robert Millard, Los Angeles Opera’s website and Facebook page, Lawrence K. Ho of the Los Angeles Times, and Brian Lauritzen. In addition, click HERE for sketches drawn by Mike Sheehan … Continue reading
Los Angeles Opera announced their 2013/2014 season today. As far as I’m concerned, the most noteworthy things: Not a big increase in number of productions and performances versus the 2012/2013 season, but the mix is a bit more diverse — including three performances of Glass’s Einstein on the Beach. Tenor Brandon Jovanovich returns to L.A. … Continue reading
Los Angeles Opera made some cast changes for the last two performances of Don Giovanni, the most noteworthy being the addition of Angela Meade as Donna Anna (Julianna Di Giacomo played the role for the first five performances). The winner of the 2011 Richard Tucker Award and the Met’s 2012 Beverly Sills Artist Award, Ms. … Continue reading
Tonight marks the opening of Los Angeles Opera’s 2012/2013 season with a new production of Verdi’s rarely performed I Due Foscari (The Two Foscari). Plácido Domingo takes on the role of Francesco Foscari, his latest foray into the baritone repertoire and 140th role overall (give or take) in his illustrious career. I’ll be there tonight, … Continue reading
Wednesday’s Los Angeles Opera press conference centered around celebrating Plácido Domingo. Board members and politicians were on hand to offer their praises, stories, and tokens of appreciation to the organization’s General Director and probably the world’s most famous living opera singer. The reason for this latest round of adulation? Three things: Continue reading
All is Yar 